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The solid-state-lighting presentation featured a test film shot by Daryn Okada, ASC, showing how various solid-state sources affect the look of makeup, wardrobe and set decoration as compared to tungsten lighting.
The IIF discussion included footage from the TV series Justified, the workflow’s first official industry outing (AC March ’11), and remarks by Francis Kenney, ASC, the series’ director of photography, and Richard Crudo, ASC, the second-unit cinematographer.
The digital-preservation discussion was highlighted by the announcement that the Council will soon publish The Digital Dilemma: Part 2, which examines how independent filmmakers, documentarians and non-profit archives are contending with the preservation of digital materials. (The original Digital Dilemma, published in 2007, focused on major studios. See AC Dec. ’08.)
Finally, John Bailey, ASC joined Grover Crisp, Sony Pictures Entertainment’s senior vice president of asset management, film restoration and digital mastering, and Andrea Kalas, Paramount Studios’ vice president of archives, to discuss concerns related to digital preservation, and how Sony and Paramount approach the task.
On the last day of the summit, participants toured Panavision’s Woodland Hills facility and Mole-Richardson’s facility.
Thanks to all of the sponsors who made this conference possible:
CAMERON - PACE Group
Clairmont Camera
Cinelease, Inc.
Company 3
Createasphere
Dattner Dispoto and Associates
Deluxe
EFilm
Fletcher Chicago
Fujifilm
International Cinematographers Guild, Local 600 IATSE
J.L. Fisher
K5600, Inc.
Kino Flo Lighting Systems
Kodak
Laser Pacific, LLC
Lee Filters
Mole-Richardson Company
Panavision
Paradigm
Sony
Technicolor
The Tiffen Company
United Talent Agency
NBC/Universal
A special thanks to all the companies
that hosted presentations during the four days:
Academy of Motion Picture Arts and Sciences Sci-Tech Council
Mole-Richardson Company
NBC/Universal
Panavision
Sony
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