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	<title>John Bailey&#039;s Bailiwick</title>
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	<description>John Bailey&#039;s thoughts on cinematography and artistic expression</description>
	<lastBuildDate>Mon, 30 Jan 2012 19:09:29 +0000</lastBuildDate>
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		<title>Trisha Ziff and The Mexican Suitcase</title>
		<link>http://www.theasc.com/blog/2012/01/30/trisha-ziff-and-the-mexican-suitcase/</link>
		<comments>http://www.theasc.com/blog/2012/01/30/trisha-ziff-and-the-mexican-suitcase/#comments</comments>
		<pubDate>Mon, 30 Jan 2012 09:00:52 +0000</pubDate>
		<dc:creator>John Bailey, ASC</dc:creator>
				<category><![CDATA[John’s Bailiwick]]></category>

		<guid isPermaLink="false">http://www.theasc.com/blog/?p=4805</guid>
		<description><![CDATA[ONE In May 2007, Mexican documentary filmmaker Trisha Ziff, at the behest of curators at the International Center of Photography in Manhattan, met another Mexican filmmaker, an elusive but affable man named Ben Tarver, at a coffee shop in Mexico City. Tarver brought with him contact sheets he had printed from three rolls of 35mm [...]]]></description>
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		<slash:comments>1</slash:comments>
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		<title>The New York Times: “The Year in Pictures”</title>
		<link>http://www.theasc.com/blog/2012/01/16/the-new-york-times-the-year-in-pictures/</link>
		<comments>http://www.theasc.com/blog/2012/01/16/the-new-york-times-the-year-in-pictures/#comments</comments>
		<pubDate>Mon, 16 Jan 2012 09:00:23 +0000</pubDate>
		<dc:creator>John Bailey, ASC</dc:creator>
				<category><![CDATA[John’s Bailiwick]]></category>

		<guid isPermaLink="false">http://www.theasc.com/blog/?p=4754</guid>
		<description><![CDATA[Are we living in a golden age of photojournalism? Has the artful sophistication of today&#8217;s image makers so unbalanced the hoary &#8220;picture/ thousand word&#8221; equation that some of the news we read is the photo caption? Multiple broadcasts, print and Internet platforms swamp us with a daily, even hourly, flood of ongoing and one-off news [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Chely Wright: WISH ME AWAY</title>
		<link>http://www.theasc.com/blog/2012/01/02/chely-wright-wish-me-away/</link>
		<comments>http://www.theasc.com/blog/2012/01/02/chely-wright-wish-me-away/#comments</comments>
		<pubDate>Mon, 02 Jan 2012 09:00:23 +0000</pubDate>
		<dc:creator>John Bailey, ASC</dc:creator>
				<category><![CDATA[John’s Bailiwick]]></category>

		<guid isPermaLink="false">http://www.theasc.com/blog/?p=4713</guid>
		<description><![CDATA[Thirty-five minutes into the documentary film of her life, Wish Me Away, singer Chely Wright tells Baptist minister C. Welton Gaddy of a moment of such personal despair that she put a loaded pistol into her mouth. It may be difficult to understand what could have precipitated an existential crisis this dire in a woman [...]]]></description>
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		<slash:comments>2</slash:comments>
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		<title>Lena Herzog’s Camera Finds “Lost Souls”</title>
		<link>http://www.theasc.com/blog/2011/12/19/lena-herzog%e2%80%99s-camera-finds-%e2%80%9clost-souls%e2%80%9d/</link>
		<comments>http://www.theasc.com/blog/2011/12/19/lena-herzog%e2%80%99s-camera-finds-%e2%80%9clost-souls%e2%80%9d/#comments</comments>
		<pubDate>Mon, 19 Dec 2011 09:00:15 +0000</pubDate>
		<dc:creator>John Bailey, ASC</dc:creator>
				<category><![CDATA[John’s Bailiwick]]></category>

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		<description><![CDATA[There was an electrical power blackout the day that seventeen-year-old Elena Pisetski first encountered a collection of jarred fetuses in the galleries of St. Petersburg’s Kunstkamera Palace, where an eerie light seeped in from the windows. Pisetski was a student at the university’s Philology Faculty located on the embankment of the Neva River, next door to [...]]]></description>
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		<slash:comments>3</slash:comments>
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		<title>Matthais Stork: Chaos Cinema/Classical Cinema, Part Three</title>
		<link>http://www.theasc.com/blog/2011/12/05/matthais-stork-chaos-cinemaclassical-cinema-part-three/</link>
		<comments>http://www.theasc.com/blog/2011/12/05/matthais-stork-chaos-cinemaclassical-cinema-part-three/#comments</comments>
		<pubDate>Mon, 05 Dec 2011 09:00:11 +0000</pubDate>
		<dc:creator>John Bailey, ASC</dc:creator>
				<category><![CDATA[John’s Bailiwick]]></category>

		<guid isPermaLink="false">http://www.theasc.com/blog/?p=4525</guid>
		<description><![CDATA[ONE Gregg Toland is widely regarded by most contemporary cinematographers as the essential locus for a discussion of breakthrough movie image creation. The most cited of his films is the collaboration with Orson Welles on Citizen Kane, a film that looms large in anyone’s movie canon, as much for its narrative innovation as for the [...]]]></description>
		<wfw:commentRss>http://www.theasc.com/blog/2011/12/05/matthais-stork-chaos-cinemaclassical-cinema-part-three/feed/</wfw:commentRss>
		<slash:comments>6</slash:comments>
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		<title>Matthias Stork: Chaos Cinema/Classical Cinema, Part Two</title>
		<link>http://www.theasc.com/blog/2011/11/21/matthias-stork-chaos-cinemaclassical-cinema-part-two/</link>
		<comments>http://www.theasc.com/blog/2011/11/21/matthias-stork-chaos-cinemaclassical-cinema-part-two/#comments</comments>
		<pubDate>Mon, 21 Nov 2011 09:00:32 +0000</pubDate>
		<dc:creator>John Bailey, ASC</dc:creator>
				<category><![CDATA[John’s Bailiwick]]></category>

		<guid isPermaLink="false">http://www.theasc.com/blog/?p=4476</guid>
		<description><![CDATA[On Halloween night, this year’s Uruguayan entry for the foreign film Oscar was screened at the Academy’s Goldwyn Theater. Merely fortuitous, or more likely, a programming wag’s &#8220;in joke,&#8221; La Casa Muda (The Silent House) is a tense horror film of the “girl trapped in a haunted house” sub-genre. Its defining marker is that it conforms [...]]]></description>
		<wfw:commentRss>http://www.theasc.com/blog/2011/11/21/matthias-stork-chaos-cinemaclassical-cinema-part-two/feed/</wfw:commentRss>
		<slash:comments>5</slash:comments>
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		<title>Matthias Stork: Chaos Cinema/Classical Cinema, Part One</title>
		<link>http://www.theasc.com/blog/2011/11/07/matthais-stork-chaos-cinemaclassical-cinema-part-one/</link>
		<comments>http://www.theasc.com/blog/2011/11/07/matthais-stork-chaos-cinemaclassical-cinema-part-one/#comments</comments>
		<pubDate>Mon, 07 Nov 2011 09:00:04 +0000</pubDate>
		<dc:creator>John Bailey, ASC</dc:creator>
				<category><![CDATA[John’s Bailiwick]]></category>

		<guid isPermaLink="false">http://www.theasc.com/blog/?p=4428</guid>
		<description><![CDATA[Matthias Stork is more likely to be found hunched over a research desk at the Academy’s Margaret Herrick Library than in the darker recesses of a multiplex cinema playing the latest Hollywood visual effects laden action flick. He is, after all, a graduate student in the Department of Film and Television at UCLA. He has [...]]]></description>
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		<slash:comments>2</slash:comments>
		</item>
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		<title>Second Year Blogging: A Salmagundi, Part 3</title>
		<link>http://www.theasc.com/blog/2011/10/24/second-year-blogging-a-salmagundi-part-3/</link>
		<comments>http://www.theasc.com/blog/2011/10/24/second-year-blogging-a-salmagundi-part-3/#comments</comments>
		<pubDate>Mon, 24 Oct 2011 08:00:27 +0000</pubDate>
		<dc:creator>John Bailey, ASC</dc:creator>
				<category><![CDATA[John’s Bailiwick]]></category>

		<guid isPermaLink="false">http://www.theasc.com/blog/?p=4347</guid>
		<description><![CDATA[ONE It took time for the reality of it to sink in. Although Kodak announced in June of 2009 that it was retiring its banner transparency film, Kodachrome, introduced in 1936, it was only with the cessation of processing at the end of December, 2010 by Dwayne’s Photo in Parsons, Kansas, that amateurs and professionals [...]]]></description>
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		<slash:comments>4</slash:comments>
		</item>
		<item>
		<title>Second Year Blogging: A Salmagundi, Part 2</title>
		<link>http://www.theasc.com/blog/2011/10/17/second-year-blogging-a-salmagundi-part-2/</link>
		<comments>http://www.theasc.com/blog/2011/10/17/second-year-blogging-a-salmagundi-part-2/#comments</comments>
		<pubDate>Mon, 17 Oct 2011 08:00:13 +0000</pubDate>
		<dc:creator>John Bailey, ASC</dc:creator>
				<category><![CDATA[John’s Bailiwick]]></category>

		<guid isPermaLink="false">http://www.theasc.com/blog/?p=4323</guid>
		<description><![CDATA[Entering the phrase “occupy wall street” into the YouTube search box brings up dozens of pages of amateur videos of the recent demonstrations in downtown Manhattan. A Google entry of “photos of occupy wall street” brings up pages like this one. Some of the photographs are by established professional photojournalists like this one from the [...]]]></description>
		<wfw:commentRss>http://www.theasc.com/blog/2011/10/17/second-year-blogging-a-salmagundi-part-2/feed/</wfw:commentRss>
		<slash:comments>4</slash:comments>
		</item>
		<item>
		<title>Second Year Blogging: A Salmagundi, Part 1</title>
		<link>http://www.theasc.com/blog/2011/10/10/second-year-blogging-a-salmagundi-part-one/</link>
		<comments>http://www.theasc.com/blog/2011/10/10/second-year-blogging-a-salmagundi-part-one/#comments</comments>
		<pubDate>Mon, 10 Oct 2011 08:00:25 +0000</pubDate>
		<dc:creator>John Bailey, ASC</dc:creator>
				<category><![CDATA[John’s Bailiwick]]></category>

		<guid isPermaLink="false">http://www.theasc.com/blog/?p=4306</guid>
		<description><![CDATA[ONE On September 9, The Boston Globe featured this photograph on page one above the fold: At first glance, it reads as a quasi-abstract geometric painting hiding behind a streaked, scumbled surface. As soon as you reflect on the date, two days after the publication of the newspaper story, the horror that  the painting documents [...]]]></description>
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		<slash:comments>3</slash:comments>
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