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	<title>John Bailey&#039;s Bailiwick</title>
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	<description>The online journal of the American Society of Cinematographers</description>
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		<title>Ray Zone and the “Tyranny of Flatness”</title>
		<link>http://www.ascmag.com/blog/2010/03/15/ray-zone-and-the-%e2%80%9ctyranny-of-flatness%e2%80%9d/</link>
		<comments>http://www.ascmag.com/blog/2010/03/15/ray-zone-and-the-%e2%80%9ctyranny-of-flatness%e2%80%9d/#comments</comments>
		<pubDate>Mon, 15 Mar 2010 08:00:32 +0000</pubDate>
		<dc:creator>John Bailey, ASC</dc:creator>
				<category><![CDATA[John’s Bailiwick]]></category>

		<guid isPermaLink="false">http://www.ascmag.com/blog/?p=1094</guid>
		<description><![CDATA[ONE
Hillhurst Avenue, in the heart of Los Angeles’ Los Feliz Village, was, until a few years ago when a number of hip restaurants and shops opened, one of those quiet streets that begs you to cross mid-block on foot, with impunity. Today, you scramble for a parking space on the heavily metered streets. Set back [...]]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Frank Hurley: The “Endurance” and Paget Color</title>
		<link>http://www.ascmag.com/blog/2010/03/08/frank-hurley-the-endurance-and-paget-color/</link>
		<comments>http://www.ascmag.com/blog/2010/03/08/frank-hurley-the-endurance-and-paget-color/#comments</comments>
		<pubDate>Mon, 08 Mar 2010 08:00:32 +0000</pubDate>
		<dc:creator>John Bailey, ASC</dc:creator>
				<category><![CDATA[John’s Bailiwick]]></category>

		<guid isPermaLink="false">http://www.ascmag.com/blog/?p=1004</guid>
		<description><![CDATA[The nineteenth century era of colonial exploration and discovery fronted a desperate race among the leading world nations to take a stake in the rapidly diminishing spoils of a shrinking planet. Children of every generation since that time have thrilled to accounts of the adventures spawned by this headlong rush to claim the yet unknown [...]]]></description>
		<wfw:commentRss>http://www.ascmag.com/blog/2010/03/08/frank-hurley-the-endurance-and-paget-color/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Evelyn Glennie, Musician</title>
		<link>http://www.ascmag.com/blog/2010/03/01/evelyn-glennie-musician/</link>
		<comments>http://www.ascmag.com/blog/2010/03/01/evelyn-glennie-musician/#comments</comments>
		<pubDate>Mon, 01 Mar 2010 08:00:52 +0000</pubDate>
		<dc:creator>John Bailey, ASC</dc:creator>
				<category><![CDATA[John’s Bailiwick]]></category>

		<guid isPermaLink="false">http://www.ascmag.com/blog/?p=1002</guid>
		<description><![CDATA[She is a percussionist, a Scottish master of dozens of mundane and exotic sound-making devices, many of which cannot be called instruments in any normal sense. But she makes music with all of them. Here she is performing at the Moers Festival in 2004.
Of the more than 1800 “instruments” she owns, she says her favorite [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>“From My Window”: The Late Work of André Kertész and Josef Sudek</title>
		<link>http://www.ascmag.com/blog/2010/02/22/%e2%80%9cfrom-my-window%e2%80%9d-the-late-work-of-andre-kertesz-and-josef-sudek/</link>
		<comments>http://www.ascmag.com/blog/2010/02/22/%e2%80%9cfrom-my-window%e2%80%9d-the-late-work-of-andre-kertesz-and-josef-sudek/#comments</comments>
		<pubDate>Mon, 22 Feb 2010 08:00:30 +0000</pubDate>
		<dc:creator>John Bailey, ASC</dc:creator>
				<category><![CDATA[John’s Bailiwick]]></category>

		<guid isPermaLink="false">http://www.ascmag.com/blog/?p=959</guid>
		<description><![CDATA[ONE
Within the span of a year, 1915-1916, two young men who were to become among the greatest photographers of the 20th century suffered devastating wounds in World War One. Both fought on the Italian Front for the soon to be defeated, Hapsburg Austro-Hungarian Empire. Josef Sudek of Bohemia and André Kertész of Hungary both sustained [...]]]></description>
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		<slash:comments>2</slash:comments>
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		<title>Krzysztof Penderecki in Nashville</title>
		<link>http://www.ascmag.com/blog/2010/02/15/krzysztof-penderecki-in-nashville/</link>
		<comments>http://www.ascmag.com/blog/2010/02/15/krzysztof-penderecki-in-nashville/#comments</comments>
		<pubDate>Mon, 15 Feb 2010 08:00:15 +0000</pubDate>
		<dc:creator>John Bailey, ASC</dc:creator>
				<category><![CDATA[John’s Bailiwick]]></category>

		<guid isPermaLink="false">http://www.ascmag.com/blog/?p=946</guid>
		<description><![CDATA[A casual walk along lower Broadway in downtown Nashville will take you past Printer’s Alley, along the Ryman Auditorium (legendary home of the Grand Ole Opry) and smack dab in front of the talent boards of the tourist honky-tonks offering down home country music. You are not likely to see the name Krzysztof Penderecki anywhere [...]]]></description>
		<wfw:commentRss>http://www.ascmag.com/blog/2010/02/15/krzysztof-penderecki-in-nashville/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Twilight Visions: Paris Surrealism in Nashville</title>
		<link>http://www.ascmag.com/blog/2010/02/08/twilight-visions-paris-surrealism-in-nashville/</link>
		<comments>http://www.ascmag.com/blog/2010/02/08/twilight-visions-paris-surrealism-in-nashville/#comments</comments>
		<pubDate>Mon, 08 Feb 2010 08:00:34 +0000</pubDate>
		<dc:creator>John Bailey, ASC</dc:creator>
				<category><![CDATA[John’s Bailiwick]]></category>

		<guid isPermaLink="false">http://www.ascmag.com/blog/?p=866</guid>
		<description><![CDATA[Paris was first called the “City of Light” in the 18th century; it was home to many of the great scientific, philosophical and literary minds of the 18th century “Age of Enlightenment.” A later and more literal appellation came as a result of its early deployment of large-scale urban street lighting at a time when [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Gerhard Richter’s and Robert Storr’s “September”</title>
		<link>http://www.ascmag.com/blog/2010/02/01/gerhard-richter%e2%80%99s-and-robert-storr%e2%80%99s-%e2%80%9cseptember%e2%80%9d/</link>
		<comments>http://www.ascmag.com/blog/2010/02/01/gerhard-richter%e2%80%99s-and-robert-storr%e2%80%99s-%e2%80%9cseptember%e2%80%9d/#comments</comments>
		<pubDate>Mon, 01 Feb 2010 08:00:43 +0000</pubDate>
		<dc:creator>John Bailey, ASC</dc:creator>
				<category><![CDATA[John’s Bailiwick]]></category>

		<guid isPermaLink="false">http://www.ascmag.com/blog/?p=843</guid>
		<description><![CDATA[ONE

In early December this modest sized painting by contemporary German artist Gerhard Richter was hanging on the wall opposite the second floor escalator of New York’s Museum of Modern Art. It was donated to the institution by the artist and by collector John Hage.
Richter began to paint it in 2003, became frustrated at his inability [...]]]></description>
		<wfw:commentRss>http://www.ascmag.com/blog/2010/02/01/gerhard-richter%e2%80%99s-and-robert-storr%e2%80%99s-%e2%80%9cseptember%e2%80%9d/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Werner Herzog’s “Of Walking in Ice”</title>
		<link>http://www.ascmag.com/blog/2010/01/25/werner-herzog%e2%80%99s-%e2%80%9cof-walking-in-ice%e2%80%9d/</link>
		<comments>http://www.ascmag.com/blog/2010/01/25/werner-herzog%e2%80%99s-%e2%80%9cof-walking-in-ice%e2%80%9d/#comments</comments>
		<pubDate>Mon, 25 Jan 2010 08:00:21 +0000</pubDate>
		<dc:creator>John Bailey, ASC</dc:creator>
				<category><![CDATA[John’s Bailiwick]]></category>

		<guid isPermaLink="false">http://www.ascmag.com/blog/?p=812</guid>
		<description><![CDATA[ONE
He gives the reason for undertaking the journey in the diary’s brief foreword: “At the end of November, 1974, a friend from Paris called and told me that Lotte Eisner was seriously ill and would probably die.” Eisner was 78 at the time.
Born in Berlin in 1896, she had fled Germany in 1933 and like [...]]]></description>
		<wfw:commentRss>http://www.ascmag.com/blog/2010/01/25/werner-herzog%e2%80%99s-%e2%80%9cof-walking-in-ice%e2%80%9d/feed/</wfw:commentRss>
		<slash:comments>5</slash:comments>
		</item>
		<item>
		<title>Where Do We Go Now? “Avatar” and Beyond</title>
		<link>http://www.ascmag.com/blog/2010/01/18/where-do-we-go-now-%e2%80%9cavatar%e2%80%9d-and-beyond/</link>
		<comments>http://www.ascmag.com/blog/2010/01/18/where-do-we-go-now-%e2%80%9cavatar%e2%80%9d-and-beyond/#comments</comments>
		<pubDate>Mon, 18 Jan 2010 08:00:09 +0000</pubDate>
		<dc:creator>John Bailey, ASC</dc:creator>
				<category><![CDATA[John’s Bailiwick]]></category>

		<guid isPermaLink="false">http://www.ascmag.com/blog/?p=906</guid>
		<description><![CDATA[
ONE
The Hollywood Reporter recently bannered a story claiming that the movie industry is entering a “decade of chaos.” If Karl Struss, the subject of a recent four-part essay I wrote for this site, were alive, he could not have refrained from a belly laugh.
As a boy, Struss began going to the movies in New York [...]]]></description>
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		<slash:comments>11</slash:comments>
		</item>
		<item>
		<title>Claude Monet’s “Haystacks” in Chicago</title>
		<link>http://www.ascmag.com/blog/2010/01/11/claude-monet%e2%80%99s-%e2%80%9chaystacks%e2%80%9d-in-chicago/</link>
		<comments>http://www.ascmag.com/blog/2010/01/11/claude-monet%e2%80%99s-%e2%80%9chaystacks%e2%80%9d-in-chicago/#comments</comments>
		<pubDate>Mon, 11 Jan 2010 08:00:47 +0000</pubDate>
		<dc:creator>John Bailey, ASC</dc:creator>
				<category><![CDATA[John’s Bailiwick]]></category>

		<guid isPermaLink="false">http://www.ascmag.com/blog/?p=785</guid>
		<description><![CDATA[A lone stack of hay sitting in a mown field does not seem at first look to be a likely subject for great art.
I took the photo above at the side of a country road just outside the town of Fairland, a once prosperous farm community in northeastern Oklahoma. It’s as mundane an image as [...]]]></description>
		<wfw:commentRss>http://www.ascmag.com/blog/2010/01/11/claude-monet%e2%80%99s-%e2%80%9chaystacks%e2%80%9d-in-chicago/feed/</wfw:commentRss>
		<slash:comments>5</slash:comments>
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