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| April 2010 |
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NAB Show 2010 Online Preview  The National Association of Broadcasters (NAB) conference, held annually in Las Vegas, Nev., has become a main stage for manufacturers to showcase technological advancements that impact a variety of audio-visual workflows through every phase of production, from prep through post. |
|  | 1 Beyond  1 Beyond, a leading provider of digital video editing and compositing systems, will unveil a portfolio of systems that eliminates the typical workflow and communications gaps between prep, production and post to create a powerful nonlinear 3-D workflow solution.
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|  | 3ality Digital  A wide range of content produced with 3ality Digital systems will be on display in the company’s booth as well as in partner booths throughout the show. |
|  | AJA Video Systems  AJA’s experienced staff will be on hand alongside industry experts and partners to discuss the company’s workflow solutions for every step of the production process, including acquisition, conversion and editing.
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Alteran Technologies  Alteran Technologies will introduce the ViTaDi product suite, furnishing all content owners with a cost-effective digital-migration solution. |
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Anton/Bauer  Anton/Bauer, a Vitec Group brand and provider of batteries, chargers, lighting and other mobile-power systems for the professional film, video and broadcast industries, will showcase its full product line while celebrating its 40th anniversary. |
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Arri  Arri will be present with its full range of camera, lighting and post solutions, including the recently announced Alexa digital camera.
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|  | Autodesk  Autodesk will unveil the latest versions of its visual effects, finishing and color-grading software products for film, television and commercial postproduction. |
|  | Automatic Duck  In its booth in the Plug-In Pavilion, Automatic Duck will debut a number of key advancements to its family of timeline transition tools, including powerful new versions of Pro Import AE, which includes compatibility with Adobe Creative Suite 5, and Media Copy, which will emphasize project and bin file support for one of the industry’s leading NLEs.
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|  | Band Pro Film & Digital  Band Pro will showcase its latest cameras, lenses, monitors, accessories, 3-D production tools and more. |
|  | Barber Tech Video Products  Barber Tech Video Products will be showcasing the latest version of its versatile Steddiepod handheld camera stabilizer and support. |
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Cache-A Corporation  Cache-A will debut its Pro-Cache archive appliance for the digital film, broadcast and professional video industries.
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|  | CalDigit  CalDigit, a leader in storage solutions for the content-creation industry, has three major new products to show. |
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Carl Zeiss  Carl Zeiss plans to unveil its Compact Prime II lenses for use with EF-mount DSLR cameras. |
|  | Cartoni  Cartoni will showcase its entire line of professional camera supports, including a number of new products, such as the Action Pro HDSLR and Focus HD fluid heads, the Heavy Duty 2-Stage Tripod, a new set of rail wheels and the Low Mode 100mm mount for its extendable dolly system, and new accessories and integrated equipment for the E-REM 15 remote head.
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|  | Christie Digital  In addition to a fully functioning “broadcast studio,” Christie will spotlight its HD projection systems and the latest 4K-ready digital cinema projector. |
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CineBags  CineBags will introduce two new products during the NAB show. Designed for the Red battery, the CB-80 Battery Pack is an easy-access pouch that can attach to a belt.
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|  | Cinedeck  Cinedeck will debut a camera-mountable HDMI/HDSDI recording, monitoring, playback and editing device for the production community.
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|  | CineForm  CineForm will be emphasizing end-to-end 3-D workflows in its booth, shared with Cinedeck.
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|  | Cine-tal  Cine-tal will demonstrate its latest product releases, including version 2.8 of its cineSpace color-management software suite and the Color Processor for Dolby 3-D projection systems. |
|  | Cintel  Cintel will demonstrate the new Ditto Evolution 2K and 4K film scanner, which can be instantly switched from pin registration to non-pin registration. |
|  | Cooke Optics  Cooke will turn the spotlight on its 5/i prime lenses, which boast T1.4 speed and a focus ring that illuminates when needed. Supplied with /i Technology, the lenses provide data per frame for postproduction.
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|  | Digital Anarchy  Digital Anarchy will showcase the Beauty Box plug-in, a new skin-smoothing software solution for video, HD and film. |
|  | Digital Vision  Digital Vision will spotlight the new features in its upcoming 2010 software releases. |
|  | |  | EditShare  A driving force in collaborative workflow management and shared-storage solutions, EditShare will demonstrate innovative technology enhancements to its award-winning Complete Collaboration product line, which now includes the recently acquired Geevs broadcast playout systems and Lightworks editing solutions. |
|  | Enhance Technology  Enhance Technology will introduce its latest high-performance storage products for the digital video and audio markets. Among the highlights are the company’s first Dual Active Controller RAID Array, the new 16-disk Enterprise SAS Expander storage array and the next-generation EnhanceRAID E400 FR cable-less desktop RAID storage solutions designed for media libraries, postproduction and more.
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Eyeheight  Eyeheight will showcase ComplianceSuiteFC, a set of plug-in software modules for Apple Final Cut Studio and Final Cut Express. |
|  | Facilis Technology  Facilis, a provider of shared media storage technology for postproduction and content creation, will showcase new software that improves the collaborative power and flexibility of the company’s TerraBlock product. |
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Fast Forward Video  Building on a solid base of award-winning digital-video recorders, FFV will showcase both new and legacy products. |
|  | FilmLight  Fresh from winning four Sci-Tech Awards, FilmLight will demonstrate the latest additions to its Northlight, Baselight and Truelight systems. |
|  | |  | The Foundry  The Foundry will discuss its collaboration with Weta Digital to bring to market the highly regarded Mari 3-D texture-painting technology. |
|  | Front Porch Digital  Front Porch Digital will debut new versions of its Samma V.4 core products, the Samma Solo, Samma Robot, Samma Prep and Samma Clean. |
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Fujinon  Fujinon will show its series of PL-mount zoom lenses, featuring fast T speeds and color-matched 4K optical performance. |
|  | Future Media Concepts  FMC, an authorized digital media training organization for postproduction, broadcast and content creators, will have both management and instructors on-site to highlight recent course offerings from the company’s award-winning curriculum. |
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Gekko Technology  Gekko Technology will introduce two major additions to its range of high-efficiency LED lighting systems for film and television production. |
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GenArts  GenArts, a provider of specialized visual-effects software for the film, television and video industries, will present a number of product demonstrations and sneak peaks at new software products, including Monsters GT for Adobe After Effects, Sapphire 5 for After Effects and Sapphire for Autodesk Smoke on Mac. |
|  | G-Technology by Hitachi  In addition to showcasing its full line of storage solutions for video production and post professionals, G-Tech will unveil a new storage solution designed for professional content creators. |
|  | |  | Ikegami Electronics  Ikegami will exhibit its innovative line of HDTV cameras, monitors and production equipment. |
|  | Imagineer Systems  In its booth in the Plug-In Pavilion, Imagineer Systems will debut its completely reengineered flaghship planar-tracking and roto station, Mocha v2. Built on Imagineer’s unique 2.5D planar-tracking technology, Mocha v2 adds such enhancements as 64-bit support; a newly enhanced, streamlined user interface; improved licensing activation; and support for Nuke 6.0, NukeX and Apple Motion. |
|  | JMR Electronics  JMR Electronics will unveil the BlueStor DigiLab and RapidEncode Video Servers. |
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JVC Professional Products  JVC will showcase its ProHD line of camcorders, which deliver outstanding image quality while using affordable, non-proprietary SDHC media and offering Apple Final Cut Pro native file recording; the new flagship of the line, the GY-HM790 camcorder, will also be unveiled. |
|  | Litepanels  Litepanels, a Vitec Group brand, will introduce a new family of focusable LED Fresnel fixtures that utilize 1/10 the energy of conventional tungsten Fresnel lights. The company will also showcase the MicroPro Hybrid on-camera LED light, capable of continuous and flash lighting. |
|  | Manfrotto Distribution  Formerly known as Bogen Imaging, Manfrotto Distribution will announce new camera supports and accessories from several of its manufacturers as well as new bags and cases from Kata. |
|  | Marquise Technologies  Marquise Technologies will introduce RAIN (Radically Advanced Imaging Ngine), an advanced color-grading solution powered by the Nvidia Quadro Digital Video Pipeline. |
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Matthews Studio Equipment  Matthews will introduce Hot Flags, which allow precise cutting of light at relatively close distance to large heat-producing HMI and tungsten fixtures. |
|  | Maxon Computer  Maxon, a developer of professional 3-D modeling, painting, animation and rendering solutions, will showcase the full range of capabilities of its Cinema 4D and BodyPaint 3D software applications. |
|  | Miracube  Miracube will showcase its line of high-quality 3-D stereoscopic displays, which support 3-D post solutions.
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|  | Nila  Nila, a manufacturer of LED lighting solutions, will showcase several new products, including the Boxer LED Series, designed to replace 2,000-watt tungsten or 1,200-watt HMI fixtures, and the SL LED Series, designed to replace 6,000-watt tungsten space lights while drawing only 850 watts.
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|  | Nvidia  Nvidia will showcase its latest breakthrough technologies for 3-D broadcasting, including a new Digital Video Pipeline that integrates live-action 3-D acquisition, real-time 3-D graphics, 3-D encoding and 3-D distribution for home theater or PC-based viewing. |
|  | OConnor  OConnor, a Vitec Group Brand, will introduce its line of professional camera accessories, including the Follow Focus CFF-1. |
|  | Omneon  Omneon will demonstrate its media storage, processing and distribution infrastructure for enabling efficient content production workflows and distribution of content across multiple platforms. |
|  | P+S Technik  P+S Technik will showcase its full product range, including the Pro35 and Mini35 image converters and the 35Digital and 16Digital lens sets. |
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Panasonic  Panasonic’s booth will spotlight the company’s extensive product range, including a host of new products.
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|  | Pelican Products  Pelican Products, a leading designer and manufacturer of advanced lighting systems and virtually indestructible cases, will exhibit the new 1740 and 1770 Long Cases, perfect for light kits, C-stands and power packs. |
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Penta Studiotech  Penta will introduce the HD2line Pro, the company’s new family of HD2line LCD monitors.
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|  | Petrol Bags  Celebrating its 10th anniversary, Petrol Bags, a Vitec Group brand, will introduce the Black Deca line. |
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Plasticase  Plasticase will showcase its complete line of injection-molded cases, including the Nanuk line of extreme carrying cases.
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Polecam  Polecam will demonstrate its 3-D HD capture and storage solutions. |
|  | Quantel  In addition to its broadcast solutions, Quantel will showcase its renowned family of postproduction solutions. |
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Sachtler  Sachtler, a Vitec Group brand, will introduce the Video 18 S1 and 20 S1 fluid heads. |
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SAN Solutions  SAN Solutions will showcase the new ArtiSAN Storage Platform and ArtiSAN Application Platform. |
|  | Singular Software  Exhibiting in the Plug-in Pavilion, Singular Software will showcase the latest version of its flagship product, PluralEyes, which offers critical workflow automation tools for analyzing media content and automatically synchronizing audio and video clips sequences; version 1.1 includes support for Apple Final Cut Pro and Sony Vegas Pro, and it boasts an array of new features for managing multi-camera, multi-take and dual-system audio productions.
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Small Tree  Small Tree will introduce the GraniteStor ST-FCoE (Fibre Channel over Ethernet) next-generation storage technology. |
|  | Snell  Snell will showcase a rich array of solutions for creation, management and distribution of content. |
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Software Generation Ltd  SGL, provider of content archive and storage management software solutions, will demonstrate its open system architecture, highlighting the substantial cost and workflow benefits provided by the company’s fully accessible systems. |
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Solid State Logic DV  SSL DV will showcase the Gravity Media Asset Management system in an interactive booth that will focus attention on the varied and powerful features of Gravity through ongoing presentations. Gravity offers clients the power of readily available content and automated digital workflows to streamline any production process. |
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Sonnet Technologies  Storage systems provider Sonnet Technologies will demonstrate the Qio professional universal media reader/writer, the Fusion RX1600Fibre shared-storage system and a redesigned Fusion DX800RAID SATA storage system. |
|  | Sony Creative Software  Sony Creative Software will showcase Vegas Pro 9 with a first look at new features and enhancements that will be available in the soon-to-be-released update 9.0d. |
|  | Talon Data Systems  Talon Data will highlight NetFlight, an ultra high-speed WAN transfer appliance. |
|  | Telecast Fiber Systems  Telecast Fiber Systems will demonstrate the fiber-optic technology powering the state-of-the-art 3-D cameras used in many of today’s most exciting motion picture and sports productions.
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|  | Vinten  Celebrating its 100th year in the business, Vinten — a Vitec Group brand — will unveil a host of new products, which are all being kept under wraps prior to the show. |
|  | Vision Research  Vision Research, the company behind the popular Phantom high-speed camera, will demonstrate its line of cameras live in its booth. |
|  | Western Digital  Western Digital will spotlight a number of new storage devices, including the My Passport AV portable drive, designed specifically for maximizing streaming video content. |
|  | XenData  Digital video archive software provider XenData will launch the X800, a cost-effective archiving system that stores video files on LTO data tape. |
|  | Zacuto  Zacuto will expand its DSLR line of accessories with over 25 new products, including upgrades on the company’s popular Z-Finders, DSLR gunstock gorilla kits and shooter packages, and much more. |
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Arri Unveils Alexa Prototype Arri recently unveiled a working prototype of its Alexa digital camera at the Micro Salon show of the AFC (French Association of Cinematographers) in Paris and the Hollywood Post Alliance Tech Retreat in Rancho Mirage, Calif. |
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Hot Rod Cameras Customizes Canon DSLRs At the urging of professional cinematographers, Hot Rod Cameras, LLC has introduced a custom modification service for the Canon 7D, 5D and 1D Mk 4 DSLR cameras. |
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Panasonic Offers Full HD 3-D Camcorder Panasonic Broadcast has begun taking orders for the AG-3DA1, a professional-quality, fully integrated Full HD 3-D camcorder with SD media-card recording.
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Band Pro Announces Mystery Primes During its annual One World on HD event, Band Pro Film and Digital introduced a new brand of ultra-high performance PL-mount prime lenses designed to deliver optical performance for true 4K imaging and beyond.
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|  | Manfrotto Intros 504HD Fluid Head Manfrotto has unveiled the 504HD fluid head, which boasts an increased load capacity resulting from the company’s patented Bridging Technology.
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|  | OConnor Debuts Accessory Line Fluid head innovator OConnor, a Vitec Group brand, has announced a line of professional camera accessories engineered to fulfill the needs of today’s high-end cinematography. |
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Offset Mitchell Levelers from GFM Grip Factory Munich has introduced a standard Mitchell 3-Way Leveler as well as a range of Offset Euro-to-Mitchell Arms, which are available with 3- or 4-Way Levelers. |
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Tangohead Enables 3-D Production Tangohead, a supplier of camera support equipment for the film and video industry, has introduced the 3D Stereo Tango universal beam-splitter rig for 3-D productions.
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Kaczek Visuals Launches Reflect Lighting System Following a long period of development, evaluation and use on such features as The White Ribbon (shot by Christian Berger, AAC), La Bohème (Walter Kindler, BVK, AAC) and Revanche (Martin Gschlacht, AAC), Kaczek Visuals’ Reflect Lighting System is now on the market. |
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Archives
New Products and Services online archives. go
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Arri recently unveiled a working prototype of its Alexa digital camera at the Micro Salon show of the AFC (French Association of Cinematographers) in Paris and the Hollywood Post Alliance Tech Retreat in Rancho Mirage, Calif. |
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| “We are delighted with the response we have had around the world so far regarding the concept of Alexa and, now, the working prototype,” says Stephan Schenk, general manager of Arri’s Camera & DIS Business Unit, who presented the camera with cinematographer Frank van Vught in Paris. “At Arri we endeavor to give creative professionals the tools to tell their stories, and we are confident that Alexa’s cutting-edge technology will do this perfectly.” The Alexa is Arri’s first model in its new generation of digital cameras. Compact, lightweight and robust, the Alexa is also the first camera from Arri that will feature an electronic viewfinder; based on auto-calibrating LED technology, it is designed for accurate color rendition and minimal image delay. Schenk says the Alexa offers a base sensitivity of 800 ASA, low noise and latitude “that exceeds 13 stops.” The 16:9 imaging area is similar to that of Super 35 and can be used with 35mm lenses, offering the same field of view and depth of field as 35mm film. A provision for 10-percent overscan allows the operator to see outside the frame lines in the electronic viewfinder. The Alexa offers a generous number of output signals and methods including onboard recording options and multiple live HD and ArriRaw outputs. It has dedicated buttons for record, playback, ramping and image grabs. Van Vught notes that the menu is “designed for simplicity, like an iPod.” The home screen features controls for frame rate, shutter angle, EI, LUTs and color temperature. The Alexa sensor is a single CMOS with a Bayer mask and a 3.5K pixel count. The camera electronics apply dual gain pathways, with separate amplification for the highlights and lowlights, a strategy designed to stretch the latitude and minimize noise. “In a given image area, fewer, bigger pixels will yield more sensitivity and latitude than more numerous, smaller pixels,” says ASC associate member Stephan Ukas-Bradley from Arri’s product-management team, who presented the Alexa with Arri CTO Glenn Kennel at Rancho Mirage. “Alexa’s 3.5K pixel count is determined to give the best sensitivity and latitude, while still insuring image quality at 2K projection for the finished project.” Some major announcements are still to come. “Probably the most frequently asked question refers to our storage solution,” says Kennel. “We are really excited to unveil the workflow solutions and recording options at NAB in Las Vegas, and we invite the whole feature film and TV industry to come to our booth.” —Benjamin B
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At the urging of professional cinematographers, Hot Rod Cameras, LLC has introduced a custom modification service for the Canon 7D, 5D and 1D Mk 4 DSLR cameras. The streamlined process modifies the cameras’ standard lens mount, allowing the use of 35mm PL-mount cinema lenses.
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| “Working with lenses designed for still photography is perhaps the biggest impediment to using HDSLR cameras on a professional set,” says cinematographer Daniel Kanes. “With the Hot Rod 7D-PL, I am able to seamlessly integrate lightweight HDSLR technology on a professional motion-picture set with several other camera systems. It’s an amazing breakthrough using pro cinema lenses on a camera of this size and capability.” For full details, including a list of compatible lenses and warranty service information, visit www.hotrodcameras.com.
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| | www.hotrodcameras.com |  |
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Panasonic Broadcast has begun taking orders for the AG-3DA1, a professional-quality, fully integrated Full HD 3-D camcorder with SD media-card recording.
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| “The AG-3DA1 will democratize 3-D production by giving professional videographers a more affordable and simple solution for capturing immersive content, as well as provide a training tool for educators,” says John Baisley, president, Panasonic Broadcast. “As the product is positioned in a more mainstream budget category, Panasonic camcorder owners will help to accelerate the amount of 3-D content being created for distribution on new Blu-ray discs and recently announced 3-D channels like those of DirecTV.” At less than 6.6 pounds, the AG-3DA1 is equipped with dual lenses and two full 1920x1080 2.07 megapixel 3-MOS imagers to record 1080/60i, 50i, 30p, 25p and 24p (native) and 720/60p and 50p in AVCHD. It can record for up to 180 minutes on dual 32GB SD cards in Panasonic’s professional AVCHD PH mode, and offers professional interfaces including dual HD-SDI out, HDMI (version 1.4), two XLR connectors, built-in stereo microphone and twin-lens camera remotes. Unlike current 3-D systems, the AG-3DA1 integrates the lenses, camera head and dual Memory Card recorder into a single, lightweight body. The camcorder also incorporates stereoscopic adjustment controls making it easier to use and operate: The twin-lens system allows adjustment of the convergence point, and functions for automatically correcting horizontal and vertical displacement are also provided. Right and Left Full HD video streams of the twin-lens camcorder can be recorded and distributed as files on SDHC/SD Memory Cards, ensuring higher reliability than tape, optical disc, HDD or other mechanical-based recording systems. This solid-state, no-moving-parts design will help significantly reduce maintenance costs, and the lightweight build provides the flexibility of handheld shooting. Setup and transportation are also simplified, making the camcorder ideal for sports, documentary and filmmaking projects. In addition to the camcorder, Panasonic announced the BT-3DL2550, a 25" professional-quality 3-D LCD monitor for field use, and the AG-HMX100, a professional HD digital AV mixer for live 3-D event production. Panasonic is committed to offering professional production equipment for efficiently creating 3-D content so consumers can enjoy 3-D video using Panasonic 3-D home-theater systems. The AG-3DA1 has a suggested retail price of $21,000.
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| | pro-av.panasonic.net |  |
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During its annual One World on HD event, Band Pro Film and Digital introduced a new brand of ultra-high performance PL-mount prime lenses designed to deliver optical performance for true 4K imaging and beyond.
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Called Mystery Primes, the T1.4 lenses will eventually total 15 different focal lengths; the core set of lenses, scheduled to begin delivery in June, will comprise 16, 18, 21, 25, 35, 40, 50, 65, 75 and 100mm focal lengths. The entire set features unified distance focus scales, common size and location of focus and iris rings, and a 95mm threaded lens front, all of which allow for quick interchange of lenses in a busy production environment. Additionally, the rear of the PL mount features an integrated threaded net ring.
“A unique use of aspheric technology and cutting-edge mechanical cine-lens design provides the Mystery Primes with unmatched evenness of illumination across the entire 35mm frame and into the corners with no discernible breathing,” says ASC associate member Michael Bravin, Band Pro’s chief technologist. “Suppression of color fringing into the farthest corners of the frame is superior to any lenses I have ever seen.”
Designed to be lightweight yet rugged on the set, the mount and lens barrel are manufactured using lightweight high-strength titanium materials; a typical Mystery Prime weighs just 3 pounds.
The first 25 sets of lenses will be delivered to Otto Nemenz International, whose experienced team provided invaluable user input from the beginning of the design process. |
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Manfrotto has unveiled the 504HD fluid head, which boasts an increased load capacity resulting from the company’s patented Bridging Technology.
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| Thanks to the 504HD’s bridge design, the pan friction control is intuitive, easy to set and protected against knocks. Movement around the pan and tilt axes is smoothed by ball-bearing units, which remove all unwanted vibration regardless of operating temperature. Furthermore, friction control combines with a step counterbalance system that covers the full weight range to allow the 504HD to be fine-tuned with extreme precision for the exact in-shot movement needed. The head’s Fluid Drag System (FDS) is variable and directly controls action and resistance on both axes; the ergonomic controls have been noticeably improved to make using the FDS even easier.
The 504HD supports kits weighing up to 16.5 pounds, and two 3⁄8" threads on the top plate allow accessories — such as monitors and arms — to be fitted directly to the head, eliminating the need for extra clamps, saving setup time and freeing the video camera’s hot shoe.
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| | www.manfrotto.com |  |
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Fluid head innovator OConnor, a Vitec Group brand, has announced a line of professional camera accessories engineered to fulfill the needs of today’s high-end cinematography. |
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“For 60 years, OConnor fluid heads and tripods have been valued tools for the art of movie making,” says Bob Carr, president of the Vitec Group business unit Camera Dynamics Inc. “The new accessory line continues the OConnor tradition of supporting the cinematographer’s art with industry-leading engineering and craftsmanship, tailored to the rapidly changing landscape of new cameras.” To ensure these new tools meet OConnor’s high standards, the company has chosen Jim Elias to head the design team; Elias brings extensive experience as a camera assistant to the engineering process. Another film-industry veteran, Eric J. Johnston, has been appointed product specialist; Eric is already interfacing with working camera people to get on-the-set feedback and integrate their needs into the product designs. The first OConnor camera accessory is a completely modular cine-style follow-focus system. The compact and low-profile unit enables quick, tool-free mounting on standard rod systems. The follow focus is compatible with all standard follow-focus accessories and driver gears, and it integrates elegantly with all camera and lens systems in use. Further products in the range will be announced as they are released. As with the entire OConnor family, the camera accessories are backed by the company’s expert customer support and service departments. According to Carr, “Because the new follow focus is designed for modular versatility and compatibility with other systems, the smartly priced system should be extremely popular with rental houses and users who own a number of different camera and lens combinations.” The OConnor cine-style follow focus is scheduled to begin delivery this month. |
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| | www.ocon.com |  |
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Gekko Technology has introduced two major additions to its range of LED lighting systems. The Kezia 50 and Kezia 200 are hard-sourced LED luminaires based on Gekko’s kleer-color light engine, with variants for film, television and entertainment.
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“The Kezia 50 and 200 offer film and television lighting directors and cameramen precise, tuneable whites and dimming under local or DMX control,” explains David Amphlett, managing director of Gekko Technology. “As well as tuneable whites in the 2900° to 6500°K range, the entertainment version can also produce millions of other colors. The capacity of the lamp to generate high quality whites reduces the need for multiple sources with different capabilities.” The Kezia 50 is comparable in output brightness to a 250-watt tungsten Fresnel lamp head, yet it consumes only 50 watts of electrical power. The Kezia 200 boasts a brightness similar to a 1K tungsten source while consuming only 190 watts of power. The fixtures also generate far less heat than traditional fixtures, and both use unique color-feedback technology to ensure consistent color-temperature quality as ambient conditions change or the unit ages. Color temperature accuracy also remains constant as the fixtures are dimmed. |
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| | www.gekkotechnology.com |  |
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Tangohead, a supplier of camera support equipment for the film and video industry, has introduced the 3D Stereo Tango universal beam-splitter rig for 3-D productions.
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Made of custom-molded carbon fiber, the 3D Stereo Tango provides precise control over the alignment of left- and right-eye cameras being used to record stereoscopic images. Each camera is adjustable on its optical axis and at the intersection point of the optical axes on the beam splitter. Interocular adjustments (from 0 to 90mm) are motorized and interface with standard wireless lens-control systems such as Arri, Cmotion, Scorpio and Preston. Convergence adjustments can be motorized or made manually. The 50/50 beam splitter is fixed at 45 degrees, and the left- and right-eye cameras are independently adjustable over six axes: tilt, roll, convergence, side-to-side, up-and-down and front-to-back. Assisted by a digital protractor and custom PL-mounted twin-laser boresights, camera alignments are fast, smooth, precise and repeatable. Each alignment is individually locked, preventing drifting during production, and each is referenced with graduations and indexes. A large and fully adjustable carbon fiber light shield is also provided to control stray light on set. The camera-agnostic 3D Stereo Tango can accept any film or video camera weighing up to 66 pounds (for a maximum total load weight of 132 pounds). The rig is also compatible with standard Arri accessories, including filter frames, filter retainers, rubber bellows, sliding bridge plates and iris rods, and the rig’s design grants ready access to both cameras at all times. Additionally, multiple mounting points make it easy to attach on-board monitors, transmitters and other accessories. The 3D Stereo Tango can be mounted on a fluid head, geared head or remote head. The rig is delivered in a custom, sturdy, welded-aluminum travel case with wheels. |
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| | www.tangohead.com |  |
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Following a long period of development, evaluation and use on such features as The White Ribbon (shot by Christian Berger, AAC), La Bohème (Walter Kindler, BVK, AAC) and Revanche (Martin Gschlacht, AAC), Kaczek Visuals’ Reflect Lighting System is now on the market. |
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The RLS is an innovative lighting system for film, television, still photography, stage productions and event presentations. The system is based on reflection; specially designed RLS spotlights are directed onto RLS reflectors, which shape the light and transmit it with minimal loss. The wide selection of reflective surfaces — each available in four different sizes — allow targeted light distribution and offer plenty of leeway when designing the form and structure of the light. A great variety of lighting ambiences or effects can be achieved using the different structures and coatings of the RLS reflectors. The extremely efficient reflective quality (between 85 and 98 percent) enables combined and multiple light redirections. The best results are achieved with spotlights, such as Kaczek Visuals’ Fred-Beam 70/1200 (1.2K HMI) and the Fred-Beam 40/800 (800-watt HMI), which can be positioned further away from the set, mitigating both noise and temperature. In comparison with conventional lighting equipment, the RLS’ power consumption is considerably lower and leaves the set almost free of equipment and cables; this also minimizes storage space and transportation requirements. Cinematographer Frédéric-Gérard Kaczek, AAC has also developed carrying bags and a set of lightweight magnetic holders (the MagNeck and the MagBall), which allow fast changing and accurate positioning of the reflectors while providing the required rigidity. |
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| | www.kaczekvisuals.com |  |
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