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| April 2011 |
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NAB Show 2011 Online Preview  The National Association of Broadcasters (NAB) conference, held annually in Las Vegas, Nev., has become a main stage for manufacturers to showcase technological advancements that impact a variety of audio-visual workflows through every phase of production, from prep through post. AC will be on hand during the run of the show, April 11-14, to look at a host of new releases as they take their place in the spotlight. Before the Convention Center’s doors even open, though, here’s a snapshot of what to look forward to.
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|  | AJA  AJA will unveil several new products in addition to showcasing its Ki Pro Mini, Kona capture cards, Mini-Converters and a host of solutions for video professionals. |
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Alcorn McBride  Alcorn McBride will introduce an enhanced feature set to the SetPlayer video playback line.
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Alteran Technologies  Alteran Technologies will present its enhanced ViTaDi product suite, which offers a series of low-cost, mobile and modular solutions for videotape ingest.
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Anton/Bauer  Anton/Bauer, a brand of The Vitec Group, will introduce the QRC-MBPA Gold Mount power solution for the Apple MacBook. The QRC-MBPA allows users working on-location to connect to a longer-lasting battery option.
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|  | Atomos  Atomos will showcase the Ninja, a portable, touch-screen HD recorder, monitor and playback device that captures video direct to Apple ProRes on removable 2½” hard disks from any camera with an HDMI output.
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|  | Autodesk  Autodesk will highlight the new features of its 2012 Digital Entertainment Creation products, including the 2012 versions of Flame Premium and Smoke. |
|  | Band Pro Film & Digital  Band Pro will highlight the Leica Summilux-C prime lenses, designed to provide unprecedented optical resolution and mechanical innovation.
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|  | Cache-A Corporation  Cache-A, a supplier of network-attached archive appliances for the digital film, broadcast and professional video industries, will unveil one of the first storage products to incorporate the new Linear Tape File System standard.
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Camera Corps  Camera Corps will spotlight its Multi Camera Keypad, which made its debut at IBC in 2010 and is now in production.
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|  | Cel-Soft  Cel-Soft will launch the latest version of its Cel-Scope3D stereoscopic analyzer.
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|  | Cinegy  Cinegy, a developer of media software solutions for automation, playout, production workflow and archive, will spotlight Cinegy Capture 2.0 Pro.
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Cintel  Cintel will unveil the first working version of its new ImageMill2 Origin data image restoration tool.
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|  | Class on Demand  Class on Demand plans to display its full range of training titles, including recent software releases from Apple, Adobe and more, as well as the just-announced “Complete Training for Avid Studio” training course. |
|  | Codex Digital  Codex Digital will launch two new on-set dailies and deliverables-processing solutions designed to support the Red Epic digital camera.
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Convergent Design  Convergent Design will spotlight the Gemini 4:4:4, an uncompressed video recorder/player that enables cinematographers and videographers to capture the ultimate video quality in a small, low-power, lightweight package at a very affordable price.
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|  | Denz  Denz will showcase its new support for Sony’s PMW-F3 camera. |
|  | Digital Anarchy  Digital Anarchy will showcase the next generation of its award-winning skin and retouching product for video and film.
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|  | Digital Film Technology  Digital Film Technology, a provider of high-end film and digital postproduction solutions, will debut the Flexxity software suite, which offers specialized software applications for dailies, archive and restoration, video playout and file mastering, ingest, transfer, and transcoding. |
|  | DSC Labs  DSC Labs will be announcing significant breakthroughs in 3-D chart technology. Created in collaboration with Tim Dashwood, a stereographer, cinematographer, director, editor and the founder of Dashwood Cinema Solutions, the Dashwood 3D Chart automates the display of accurate 3-D rig calibration at unheard-of speeds. |
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Egripment  Egripment will showcase a number of innovations across its range of camera-support equipment.
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|  | Element Technica  Element Technica will spotlight its Atom 3-D rig, purpose-built for the Red Epic digital camera. The company will also demonstrate 3-D Hand Controllers for 3-D rig and lens control. |
|  | FilmLight  FilmLight will demonstrate a radical new color-grading tool for Baselight.
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|  | Flanders Scientific Inc.  Flanders Scientific will spotlight the recently launched LM-2461W, the company’s new top-of-the-line monitor.
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|  | The Foundry  In addition to the latest versions of Nuke and NukeX, the Foundry will offer a look at Storm, which enables users to check, tag and organize their footage, perform basic edits and then hand everything off for finishing.
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|  | Gamma & Density Co.  Gamma & Density will unveil Image Control, the mobile version of its 3cP on-set color-correction system, for use with Apple’s iPad and iPhone.
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Gekko Technology  Gekko Technology will launch Kedo, the focusable version of its color-tunable LED-based luminaire.
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I-Movix  Extreme-slow-motion specialist I-Movix will show a new version of the SprintCam Vvs HD ultra-slow-motion system for live HD broadcast production.
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Innovision Optics  Innovision Optics will spotlight the Kamtrax vertical and horizontal camera slider, which provides ultra-smooth camera movement along a 3’ or 6’ track that can be oriented vertically, horizontally, or at an angle in-between. |
|  | International Supplies  International Supplies will showcase the newest model of its Nexto DI portable storage device, the NVS2525, which can back up hundreds of hours of raw footage from Panasonic P2 and Sony SxS cards via its own card slots, CF cards via an adaptor, and Ikegami GFPAK via USB.
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|  | K-Tek  In addition to its line of boom poles, K-Tek will showcase the Norbert camera-accessory holder, as well as the newly released Norbert Sport version. |
|  | Litepanels  Litepanels will showcase its focusable Fresnel fixtures, which provide HD-friendly lighting while using just 1/10 the energy of conventional Fresnel lights. |
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Lowel  Lowel will provide a peek at the LED Studio 450, the first of the company’s soon-to-be-released series of studio LED fixtures.
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|  | Manhattan Edit Workshop  Manhattan Edit Workshop (Mewshop) will promote its unique and versatile digital training curriculum and destination-based methodology.
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Marvin Technologies  Marvin Technologies will introduce the Marvin 2.0 on-set camera-data-management system.
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Matthews Studio Equipment  Matthews Studio Equipment will expand its successful car-mount systems with the introduction of the Baby Ball Head adapter and the Magic Riser.
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|  | Maxon Computer  Maxon Computer, a leading developer of professional 3-D modeling, painting, animation and rendering solutions, will showcase Cinema 4D, the company’s cornerstone 3-D software.
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|  | Nvidia  Nvidia will showcase its latest technologies for broadcast and post, including Quadro professional graphics solutions, interactive on-air graphics and workflows with leading editing and visual-effects vendors. |
|  | OConnor  OConnor will introduce the 2065 Fluid Head, designed to support digital cameras such as the Red One, Sony F35 and Arri Alexa. The company will also showcase its O-Box WM mattebox for 16:9 35mm-sensor cameras, as well as the CFF-1 Follow Focus and O-Grips. |
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Panasonic  Panasonic will showcase a host of solutions for video professionals.
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Pandora International  Pandora will introduce three new products: Psi is a hardware upgrade for Spirit Classic and Shadow telecines that gives users 2K and HD scanning capabilities; Pluto is a display color-management system; and Pilot is a controller for telecines, VTRs and image processors.
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|  | Petrol Bags  Petrol Bags will introduce an array of new black Deca series DSLR backpacks, roll packs, shoulder carriers, raincovers, camera bags and more.
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Polecam  Polecam will launch the Polecam Starter Pack. Designed primarily for use with DSLR cameras, the Starter Pack offers low-budget productions all of the essential features of the legendary Polecam rig. |
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Prism Projection  Prism Projection will debut the Reveal Profile luminaire, the latest addition to the company’s award-winning Reveal collection.
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|  | Quantel  Quantel will unveil a range of new and enhanced software solutions for post and broadcast built around expanding file-based workflow, enhancing integration and boosting high-quality stereo 3-D productivity.
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|  | RadiantGrid  RadiantGrid will unveil several new solutions to help broadcasters support their ever-expanding file-based workflows.
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Sachtler  Sachtler, a Vitec Group brand, will present the Cine DSLR fluid head.
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SAN Solutions  SAN Solutions will showcase new products within the company’s ArtiSAN Storage and ArtiSAN Application Platforms.
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|  | Schneider Optics  Schneider Optics will showcase the True-Match 10-stop variable ND filter kit, which works in conjunction with Schneider’s DSLR 4” filter system.
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|  | Singular Software  Singular Software, a developer of workflow-automation applications for digital media, will showcase extended support from its innovative audio and video synchronization product line. |
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Snell  Snell will showcase a variety of new and enhanced products that enable greater automation and more flexible media handling in live production, playout, infrastructure, media restoration and transformation environments.
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|  | Software Generation Ltd  Software Generation Ltd (SGL) will have a real working demonstration of the innovative Linear Tape File System (LTFS). |
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Sonnet Technologies  Sonnet Technologies will showcase several products that cater to the storage needs of professionals in the broadcast and postproduction industries.
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|  | Vinten  Vinten, a Vitec Group brand, will showcase the new Vector 75 head.
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|  | YoYotta  YoYotta will show the latest version of the YoYo postproduction workflow system. |
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Zacuto  In addition to showcasing a full range of DSLR accessories, Zacuto will introduce the Z-Finder EVF (electronic viewfinder), EVF Mounts, EVF Should Mount Kit and more. |
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Fujifilm Expands Eterna Vivid Line Fujifilm Corporation has announced the introduction of Eterna Vivid 250D, a daylight-type motion-picture color-negative film formulated to offer high color saturation and high contrast. |
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Pixel Farm Shares Free Airgrade The Pixel Farm, a manufacturer and marketer of image-processing and visual-effects software technologies, has introduced Airgrade, a free color-grading engine that is remote-controlled from an iPhone. |
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Panasonic Adds Pro Monitor Panasonic Solutions Company has introduced the BT-LH910, a 9" LCD monitor for field and studio applications. Features include a new, high-brightness, high-contrast IPS panel; newly developed 3-D assist functions; and professional interfaces, including HDMI and 3G-SDI. |
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Vocas Adapts Lens Mount Vocas has introduced a lens-mount adapter from Micro 4⁄3" to PL mount, designed with the Panasonic AG-AF100 specifically in mind. |
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JBK Cinequipt Focuses on DSLRs JBK Cinequipt has introduced the FF-2010 HD, a lightweight follow focus designed for use with Canon’s EOS 5D and 7D DSLR camera systems. |
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FG Follow Focus from Ikan Ikan has introduced the FG Follow Focus, offering precision machined aluminum construction, lightweight design, beveled dry-erase marking disk and compatibility with all Ikan Elements kits and any 15mm rod-based camera-support system. |
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Acme Illuminates Komet Pipe Light Acme Lighting & Grip has introduced the Komet Pipe Light. Lightweight and self contained, the 6,500°K LED fixture is simple to use and sets up in seconds. |
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Archives
New Products and Services online archives. go
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Digital Film Technology, a provider of high-end film and digital postproduction solutions, will debut the Flexxity software suite, which offers specialized software applications for dailies, archive and restoration, video playout and file mastering, ingest, transfer, and transcoding. DFT will also highlight new features to the Scanity 4K/2K film scanner, including batch processing and background rendering, infrared channel and dirt processing, audio scanning, automated D-min functionality, variable scaling, and film-shrinkage measurement. |
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|  | |  | | contact info: Booth: SL 11608
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| | www.dft-film.com |  |
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DSC Labs will be announcing significant breakthroughs in 3-D chart technology. Created in collaboration with Tim Dashwood, a stereographer, cinematographer, director, editor and the founder of Dashwood Cinema Solutions, the Dashwood 3D Chart automates the display of accurate 3-D rig calibration at unheard-of speeds. Additionally, the Pilot 3D Chart, which features runway-like extension and corner LED lights, is a comprehensive tool for the proper balance and alignment of 3-D rigs. DSC Labs will also spotlight the Hawk Quick Check Chart and CamAlign RoliChart, as well as the updated ChromaDuMonde 18G chart, which includes an 18-percent spectrophotometrically neutral gray background. |
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|  | |  | | contact info: Booth: C 10215
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| | www.dsclabs.com |  |
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Gekko Technology will launch Kedo, the focusable version of its color-tunable LED-based luminaire. The Fresnel-based optic within Kedo provides a focal range of 6:1, and the fixture is comparable in output intensity to a 900-watt tungsten source. Kedo has presets at 2,900°K, 3,200°K, 4,300°K, 5,600°K and 6,500°K, and it boasts the ability to match a wide range of color gels. Gekko will also unveil a blendable-white version of its Karesslite 6012, which can be adjusted to any intermediate color temperature between 3,200°K and 5,600°K. |
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|  | |  | | contact info: Booth: C 2249 (with PRG)
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| | www.gekkotechnology.com |  |
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Extreme-slow-motion specialist I-Movix will show a new version of the SprintCam Vvs HD ultra-slow-motion system for live HD broadcast production. SprintCam Vvs HD now operates at up to 2,700 fps in 1080i50 or 5,800 fps in 720p60 and provides instant replay at native HD resolution and image quality. |
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|  | |  | | contact info: Booth: C 4644
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| | www.i-movix.com |  |
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Nvidia will showcase its latest technologies for broadcast and post, including Quadro professional graphics solutions, interactive on-air graphics and workflows with leading editing and visual-effects vendors. |
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|  | |  | contact info: Booth: SL 2728
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| | www.nvidia.com |  |
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Denz has introduced an accessory package for Panasonic’s AG-AF100 Micro 4⁄3" digital camera. The package includes a Universal Holder, PL54-Support, Ultra Lightweight Handle System and FFM Follow Focus.
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The Universal Holder attaches onto the camera’s handle and can be fixed via two clamping screws, which allow for different positions depending on the needs of the operator. The Universal Holder can also be used in conjunction with the Cineroid electronic viewfinder.
The PL54-Support allows users to mount any PL-mount lens to the camera, no matter the lens’ weight. The support system contains a mount for 15mm support rods as well as Arri/Denz-standard rosettes for adjusting handles and accessories.
An optional shoulder rig can also be mounted to the 15mm rods, and the Ultra Lightweight Handle System incorporates two handles, one of which can be equipped with shutter control.
Finally, Denz’s FFM Follow Focus perfectly fits the system and mounts to the 15mm rods sideways beneath the lens. |
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| | www.denz-deniz.com |  |
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Element Technica has announced that its Technica 3D Neutron rig, mounted with Silicon Imaging SI-2K cameras, can now be enclosed in the purpose-built Neutron Borg 3-D underwater housing system from HydroFlex. The underwater 3-D camera system incorporates a Cinedeck recorder inside the housing. |
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The Neutron 3-D rig’s small form factor is particularly attractive for underwater use, since it makes a compact underwater housing possible. The combination of the Neutron rig and SI-2K cameras allowed HydroFlex to design an anodized aluminum, cuboid-shaped housing that measures 15" wide, 17" long and 16" tall. The Neutron Borg housing weighs 114 pounds out of the water and 3 pounds underwater.
Pete Romano, ASC, recently used the first production model. “It is easy to move in the water and follow the action,” he says. “It is balanced well for handheld use and I couldn’t be happier.”
The Neutron Borg system utilizes Element Technica’s integrated lens control. By fitting the SI-2K cameras with Zeiss 16mm cine lenses, the system can take advantage of those lenses’ f1.3 apertures and close-focusing capabilities. The system also accepts Schneider 4.8mm, 8mm and 12mm lenses, and Linos 12mm, 16mm and 15mm C-mount lenses.
“Because of its size, camera quality and lens compatibility, the Neutron 3-D rig and SI-2K camera combination made an excellent choice for a small housing,” says Matt Brown, HydroFlex’s operations manager. The Neutron Borg system can be configured as a free-swimming, untethered housing, with operator viewing on the Cinedeck and full lens and stereographic control underwater. Alternatively, video and full remote control of the rig’s focus, iris and stereoscopic properties can be cabled to the surface and operated from there.
The HydroFlex Neutron Borg housing is designed to remain watertight to a depth of 60' and incorporates watertight connections for lens focus and iris, interaxial and convergence. When utilizing the Cinedeck for internal recording, SD video can be run to the surface with an underwater coaxial cable. Alternatively, the Cinedeck can be bypassed to run full HD from both cameras to the surface via underwater Ethernet cables.
The Neutron Borg system is available for rental from HydroFlex. |
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| | www.hydroflex.com | | www.technica3d.com |  |
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Fujifilm Corporation has announced the introduction of Eterna Vivid 250D, a daylight-type motion-picture color-negative film formulated to offer high color saturation and high contrast. Incorporating Fujifilm’s proprietary Super Nano-Structured Grain Technology, Super-Efficient Coupler Technology and Super-Efficient DIR-Coupler Technology, the Eterna family of motion-picture color-negative films offers exceptionally high-quality images. |
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Eterna Vivid 250D shares the same gradation and color saturation characteristics as the tungsten-type Eterna Vivid 500 and Eterna Vivid 160. Not just an excellent film for shooting in exterior locations, Eterna Vivid 250D can also be used under mixed-lighting conditions.
All films in the Eterna family are characterized by their ability to reproduce natural skin tones and grays in under- to overexposed conditions. Additionally, Eterna Vivid 250D provides rich and distinctive colors as well as deep blacks with the optimized gradation balance, enabling a wide range of expressive dramatic effects.
Optimization of orange-mask density and sharpness balance contributes to enhanced image quality for film scanning or direct telecine transfer of images from negative film to videotape, making this newest addition to the Eterna lineup well suited for commercials and other motion-picture production utilizing the latest advanced digital technologies. |
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| | www.fujifilm.com |  |
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The Pixel Farm, a manufacturer and marketer of image-processing and visual-effects software technologies, has introduced Airgrade, a free color-grading engine that is remote-controlled from an iPhone. |
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Airgrade emulates professional film and television grading tools and combines a powerful Mac-based grading engine with an easy-to-use wireless remote control on the iPhone. Users roll a 3-D trackball and rotate a radial wheel on their iPhone to adjust precise tonal ranges using Lift, Gamma and Gain controls, as well as a Saturation control for overall color intensity. The result appears interactively on the user’s Mac, and on any other connected monitoring device, such as a digital projector. A shake of the iPhone resets the parameters, allowing a fresh grade to be made.
When the desired color grade has been achieved, Airgrade’s color engine saves the grading data in the ASC CDL format, which allows color decisions to be transferred between color-grading and finishing solutions. The graded image is saved simultaneously to the iPhone’s photo album, delivering a fast visual reference.
Users can download the free, Mac-based color engine at www.airgrade.co.uk; the iPhone remote controller is available through the iTunes store. |
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| | www.thepixelfarm.co.uk | | www.airgrade.co.uk |  |
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Quantel has released Pablo PA, the company’s first standalone software product. Pablo PA is designed to help Quantel customers get the maximum value out of their high-end eQ, iQ or Pablo suites by handling conforms, preparation and workflow, allowing the main suite to concentrate purely on client-focused work. As a standalone system, Pablo PA also offers facilities that don’t currently own Quantel systems a low-cost way to benefit from Quantel’s high-quality post tools. |
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Pable PA has all the Pablo V5 color, multi-layer timeline, import, export, archive, conform and Stereo3D tools. It also supports Red and DPX soft mount of third-party storage for instant access to media, and will handle conform verification, Red shot selection and live de-bayering as well as file i/o. When work is complete, only the recipe of what’s been done on Pablo PA needs to be transferred to the eQ, iQ or Pablo, saving valuable time that would otherwise be spent moving media.
The release of Pablo PA follows a successful Beta testing phase with a number of Quantel customers. Pablo PA is being offered on a 30-day “try before you buy” scheme. |
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| | www.quantel.com |  |
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Panavision has introduced the Digital Transfer Station, providing a unique solution to enable greater flexibility in the production process. The DTS complements Panavision’s Solid State Recorder, increasing the SSR’s capability while providing consistency throughout the production workflow. The DTS takes uncompressed content from the SSR and outputs DPX or QuickTime files while offering a production the option to simultaneously generate a backup tape. |
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This solution provides value to various departments in the production process. For the cinematographer, it is an invaluable addition that allows the application of look-up tables so that material can be generated for editorial needs as well as dailies. Cinematographer David Tattersall employed the system on Gulliver’s Travels and The Hungry Rabbit Jumps. “It was an invisible part of our camera equipment,” he says. “I was almost unaware it was there.”
The DTS provides for near-set quality control of the master image, enabling near-instant feedback on set before the files are sent to postproduction. The system also helps to accelerate the delivery of off-line files for the editorial process. “Panavision’s Digital Transfer Station eliminates the transfer-from-tape portion of the deliverables distribution, and eliminates the compression associated with tape,” says digital-imaging technician Doug DeGrassio. “I liked the compact size and reliability. It’s simply very clean and it makes our work very clean.”
The DTS solution can also enhance the entire production workflow, including visual effects and postproduction. For visual effects, this means every frame is available as a DPX file directly from set. “Having all the DPX files in the cutting room is excellent,” says editor Alan Bell, ACE. “It allows for very fast turnarounds delivering [visual-effects] elements and gives us options when it comes to doing the final conform.”
Josh Limor, Panavision’s technical marketing manager, says, “We wanted to design a system that is easy to use, invisible on set, and can satisfy every aspect of the production team’s needs. In addition, every production will have Panavision’s support in designing and implementing a workflow that works for them.” Other productions that have already utilized the DTS include Captain America, Vamps, The Smurfs and Ironclad.
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| | www.panavision.com |  |
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Panasonic Solutions Company has introduced the BT-LH910, a 9" LCD monitor for field and studio applications. Features include a new, high-brightness, high-contrast IPS panel; newly developed 3-D assist functions; and professional interfaces, including HDMI and 3G-SDI. Equally suitable for production, broadcast and institutional applications, the cost-effective BT-LH910 can be utilized on-camera as an electronic viewfinder, on location, and in mobile or live settings. |
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The BT-LH910 offers production-level critical viewing with 1280x768 WXGA pixel resolution, the highest in the 9"-and-under professional LCD monitor category. The monitor’s high brightness, high contrast, horizontally aligned IPS panel has 176-degree vertical and horizontal viewing angles. It delivers exceptional imagery with superb color accuracy and exhibits minimal changes in brightness and color due to the viewing angle.
The BT-LH910 incorporates a 2X SDI IN overlay and side-by-side display that provides a 2-D view of various 3-D checks, including composition, convergence, color and luminance, focus and zoom position, and parallax. This 3-D assist function is ideal for production crews that require a 3-D review in the field. The monitor also offers two times SDI loop-through to allow it to be used with existing 3-D rigs while still feeding video to any downstream equipment. Additional functionality encompasses a Black mode for confirming dark scenes, an RGB waveform monitor, a vectorscope, an RGB direct white-balance adjustment, a color audio level meter, new front/rear design, SDI closed-captioning support, a headphone jack and tilt stand.
The 15:9 aspect-ratio monitor is compatible with multiple HD/SD formats and features the industry’s lowest image-processing delay, a Diagonal Line compensation function and such advanced focus-assist functions as Focus-in-Red and Pixel-to-Pixel matching. Measuring only 3.1" deep and weighing only 3.7 pounds (excluding the tilt stand), the space-saving BT-LH910 also boasts an eco-friendly W-LED backlight.
When used as an electronic viewfinder, the BT-LH910 can be configured with Panasonic’s full range of HD shoulder-mount cameras, using the optional BT-CS910 viewfinder cable. The 12-volt DC-powered monitor is equipped with both a 4-pin XLR DC input and an Anton Bauer battery gold mount, making it ideal for outdoor use.
The BT-LH910 has a suggested price of $3,500. |
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| | www.panasonic.com/broadcast |  |
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Lens manufacturer Carl Zeiss has appointed equipment supplier Abel Cine Tech as a Carl Zeiss Authorized Service Partner. Building on years of cooperation between the two companies, the aim of the partnership is to allow Carl Zeiss customers in the Americas to benefit from optimized customer service. In particular, the partnership will further reduce the amount of downtime associated with repairs. In the future, local services will be carried out more efficiently and according to the highest quality standards. |
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“The appointment of a Carl Zeiss Authorized Service Partner creates an important foundation for intensifying our cooperation with Abel Cine Tech,” says Josef Kohnle, director of operations of the Carl Zeiss Camera Lens Division in Oberkochen, Germany. “Our clients in America can now send their lenses directly to Abel Cine Tech for maintenance and repairs. The professional and localized customer service will guarantee quick and smooth service and increase effectiveness.”
Pete Abel, president and CEO of Abel Cine Tech, adds, “We’re delighted with the special trust Carl Zeiss has placed in us through this official partnership. We will use our experience and technical know-how to build awareness among Carl Zeiss customers in America for its products and to provide the outstanding performance and quality for which Carl Zeiss lenses are renowned the world over.”
Abel Cine Tech operates facilities in New York City, Burbank and Chicago. Qualification as a Carl Zeiss Authorized Service Partner involves training by Carl Zeiss partners as well as the provision of special tools that ensure the company can guarantee a uniform level of service for all its customers.
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| | www.abelcine.com | | www.zeiss.com |  |
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Redrock Micro has introduced the MicroRRS clamp for adapting the Really Right Stuff line of quick-release clamps and plates for use with Redrock’s HDSLR camera rigs. |
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Redrock customers now have a choice of camera mounts for their Redrock rigs: the Redrock DSLR baseplate or the MicroRRS adapter clamp with Really Right Stuff. The MicroRRS with Really Right Stuff clamps are an excellent choice for still photographers who want to continue using their Really Right Stuff quick-release system, or for cinematographers who demand the ultimate stability in a camera-mounting system. The MicroRRS allows HDSLRs to be used either vertically or horizontally, and it can be used with either camera or lens support plates.
“Really Right Stuff is extremely well regarded and hugely popular in the photography world today,” says James Hurd, chief revolutionary for Redrock Micro. “Our new MicroRRS clamp really benefits customers by bringing together the best of both worlds for video DSLR rigs and accessories.”
The MicroRRS clamp is priced at $229. |
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| | www.redrockmicro.com | | www.reallyrightstuff.com |  |
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Camera-accessories manufacturer Zacuto has released the updated Z-Finder Pro DSLR viewfinder. The optical viewfinder offers 2.5x or 3x focusable magnification, a 40mm-diameter Zacuto optical designed lens, an anti-fog coating protective shield, an eyecup preventing extraneous light leakage, a diopter and a field of view perfectly matched to 3" LCD screens. Also included are three extender frames, a gorilla plate with DSLR short body frame, a lens cap, a protective boot, a lanyard hook and lanyard, and three extra anti-fog coating protective covers. |
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| The anti-fog protective covers serve two purposes: to protect the actual lens from damage and to prevent fogging. “We’ve spent over a year and a half to come up with the Zacuto anti-fog formula,” says Steve Weiss, product designer for Zacuto. “The key to creating an anti-fog lens is to create a texture on the surface so that moisture cannot collect.” Weiss and fellow product designer Jens Bogehegn developed inexpensive anti-fog shields for customers to use as expendables in case of loss, scratch or damage to the covers. Bogehegn notes, “We found that the texture of the protective cover can rub off. Whether you have an older Z-Finder or Pro Series, anti-fog lens or non-anti-fog lens, these shields will protect your existing lens and make any Z-Finder anti-fog.”
For existing Z-Finder owners, the Anti-Fog Protective Cover Upgrade Kit comes with a three-pack of anti-fog protective covers, a lens cap and newly designed eyecup to fit all covers. |
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| | www.zacuto.com |  |
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Acme Lighting & Grip has introduced the Komet Pipe Light. Lightweight and self contained, the 6,500°K LED fixture is simple to use and sets up in seconds. |
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The all-weather Komet Pipe Light features a nylon body and T6 aluminum head. The fixture weighs 17 pounds and folds into a cylinder that measures 32" long and 4.5" in diameter, allowing for easy transport.
The Komet Pipe Light features low, medium and high operating modes; according to Acme’s photometrics, the Pipe Light produces a maximum of 500 foot candles at a distance 6'. The fixture runs off of a battery, which recharges in approximately 8 hours and offers 2.5 to 9 hours of operation, depending on the operating mode. The power supply and charger are included. Other accessories include a four-way barndoor, a wide lens, four gel frames and a car power adapter. |
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|  | | contact info: |  | |
| | www.kometled.com |  |
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Matthews Studio Equipment has introduced K-Stackers, a simple solution for fluorescent-lighting support. |
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Based on a concept from gaffer Alex Amyot, K-Stackers allow for the placement of large fluorescent fixtures in a tight pattern for more punch, or for an overhead source with fluorescent fixtures hung from a Junior Boom or telescoping hanger. Two or three large fluorescent fixtures can be tied together on a rolling stand or Runway Base; up to six 4' fixtures can be mounted, with the ballasts hanging off the back of the K-Stacker. Two K-Stackers on a stand or base allows for placement of four 4' fluorescent fixtures vertically around the stand. Rotate the pin 90 degrees and K-Stackers can be conformed from a horizontal to a vertical light-fixture mode. This compact, powerful light source can be moved almost anywhere.
“Crews spend a great deal of time building contraptions out of C-stands to achieve the same effect that the K-Stacker gives them in moments,” says Kelly Koskella, president of Hollywood Rentals, one of the first companies to take delivery of the K-Stackers. “Those time-saving quality products are what production professionals demand. Hollywood Rentals is always on the lookout for tools that improve production for our clients, and K-Stackers certainly do that.”
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|  | | contact info: |  | |
| | www.msegrip.com |  |
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