Tue, 15 Nov 2011 11:48:49 -0800 American Cinematographer Magazine http://www.theasc.com Podcast Maker v1.4.1 - http://www.lemonzdream.com/podcastmaker American Cinematographer magazine interviews cinematographers, directors and other key collaborators involved in creative process of bringing film and television projects to the screen. American Cinematographer magazine interviews cinematographers, directors and other key collaborators involved in creative process of bringing film and television projects to the screen. en American Cinematographer American Cinematographer jon@e-a-media.com http://www.theasc.com/podcasts/ac_podcasts/AC_Podcast_Title_final_300_144.jpg http://www.theasc.com 144 144 TV & Film Visual Arts American Cinematographer, magazine, cinematography, director of photography, movies, films, filmmaking, cinematographer, directing no American Cinematographer Magazine American Cinematographer's Jean Oppenheimer hosts a wide-ranging discussion with Conrad Hall, Jr. about the challenges and happy accidents of shooting OKA! in a remote pygmy village in Africa with limited equipment and using locals as actors and crew American Cinematographer's Jean Oppenheimer hosts a wide-ranging discussion with Conrad Hall, Jr. about the challenges and happy accidents of shooting OKA! in a remote pygmy village in Africa. He details his approach to lighting the film, attempting to capture the natural beauty of the people and the locale with a limited equipment package, as well as working with the local Bayaka tribe as both actors and crew. http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=259748235 http://www.theasc.com/podcasts/ac_podcasts/23_AC_Podcast_OKA.mp3 Tue, 15 Nov 2011 11:35:36 -0800 TV & Film, Visual Arts no 00:48:31 American Cinematographer, magazine, cinematography, director of photography, movies, films, filmmaking, cinematographer, directing, Conrad Hall Jr, OKA, OKA!, Lavinia Currier, Norbert Bogbeyate , James Bruce American Cinematographer Magazine American Cinematographer's Jean Oppenheimer speaks with Amy Vincent, ASC, cinematographer of Footloose, discussing how the film's dance sequences advance the story, creating the 'look' for Julianne Hough, and her repeated collaborations with Craig Brewer American Cinematographer's Jean Oppenheimer speaks with Amy Vincent, ASC, cinematographer of the 2011 release of Footloose, discussing how the film's dance sequences advance the story, how she collaborated with hair and makeup to create the 'look' for Julianne Hough, and about her repeated collaborations with Craig Brewer http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=259748235 http://www.theasc.com/podcasts/ac_podcasts/22_AC_Podcast_Footloose.mp3 Mon, 14 Nov 2011 18:24:29 -0800 TV & Film, Visual Arts no 00:27:26 American Cinematographer, magazine, cinematography, director of photography, movies, films, filmmaking, cinematographer, directing, Amy Vincent, Footloose, Footloose 2011, Craig Brewer, Julianne Hough, Jean Oppenheimer American Cinematographer Magazine In part two, Michael Slovis, ASC discusses the process Breaking Bad employs to support its directors and provide a consistent feel to the series, as well as how it feels to work in this system. In part two, Michael Slovis, ASC discusses the process Breaking Bad employs to support its directors and provide a consistent feel to the series, as well as how it feels to work in this system. http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=259748235 http://www.theasc.com/podcasts/ac_podcasts/21_AC_Podcast_Breaking_Bad_Directing.mp3 Mon, 27 Jun 2011 15:58:07 -0700 TV & Film, Visual Arts no 00:19:52 American Cinematographer, magazine, cinematography, director of photography, movies, films, filmmaking, cinematographer, directing, Michael Slovis, Breaking Bad, Stasukevich American Cinematographer Magazine In part one, Michael Slovis, ASC talks with American Cinematographer's Iain Stasukevich about how the supportive and collaborative team, from the network through to the crew, work together to capture the New Mexican landscape with a cinematic flair. In part one, Michael Slovis, ASC talks with American Cinematographer's Iain Stasukevich about how the supportive and collaborative team, from the network through to the crew, work together to capture the New Mexican landscape with a cinematic flair. http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=259748235 http://www.theasc.com/podcasts/ac_podcasts/20_AC_Podcast_Breaking_Bad_Cinematography.mp3 Mon, 27 Jun 2011 15:48:19 -0700 TV & Film, Visual Arts no 00:33:44 American Cinematographer, magazine, cinematography, director of photography, movies, films, filmmaking, cinematographer, directing, Michael Slovis, Breaking Bad, Stasukevich American Cinematographer Magazine American Cinematographer's Iain Stasukevich goes on location to Berlinale 2011 and speaks to: Wim Wenders about using 3-D on his documentary, Pina; Guy Maddin about his use of found footage; and Przemyslaw Wojcieszek about the look of Made in Poland American Cinematographer's Iain Stasukevich goes on location to Berlinale 2011 and speaks to: director Wim Wenders about using 3-D on his dance documentary, Pina; director Guy Maddin and his producer Jody Shapiro about his use of found footage in Fragments; and director Przemyslaw Wojcieszek about the how he came to the more experimental, distressed and black and white, look of the film Made in Poland. http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=259748235 http://www.theasc.com/podcasts/ac_podcasts/19_AC_Podcast_Berlinale-2011.mp3 Thu, 19 May 2011 17:28:40 -0700 TV & Film, Visual Arts no 00:33:13 American Cinematographer, magazine, cinematography, director of photography, movies, films, filmmaking, cinematographer, Stasukevich, Wim Wenders, Guy Maddin, Przemyslaw Wojcieszek, Pina, Made in Poland, Hauntings Fragments, Berlinale, 2011 American Cinematographer Magazine American Cinematographer's Iain Stasukevich sits with Eduard Grau, cinematographer of Buried, discussing the creative and technical challenges of setting the entire film within the constraints of a coffin, as well as the decision to shoot film over video. American Cinematographer's Iain Stasukevich sits with Eduard Grau, cinematographer of Buried, discussing the creative and technical challenges of setting the entire film within the constraints of a coffin, as well as the decision to shoot film over video. http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=259748235 http://www.theasc.com/podcasts/ac_podcasts/18_AC_Podcast_Buried.mp3 Tue, 12 Apr 2011 12:58:19 -0700 TV & Film, Visual Arts no 00:37:58 American Cinematographer, magazine, cinematography, director of photography, movies, films, filmmaking, cinematographer, directing, Eduard Grau, Rodrigo Cortes, Ryan Reynolds, Buried American Cinematographer Magazine American Cinematographer's Iain Stasukevich talks with Rabbit Hole director John Cameron Mitchell and cinematographer Frank DeMarco about using the Red camera, shooting with older lenses and filming unobtrusively for great performances from the cast. American Cinematographer’s Iain Stasukevich talks with Rabbit Hole director John Cameron Mitchell and cinematographer Frank DeMarco about shooting with and rating the speed of the Red camera, their use of older lenses and shooting unobtrusively for great performances from the Nicole Kidman and Aaron Eckhart. http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=259748235 http://www.theasc.com/podcasts/ac_podcasts/17_AC_Podcast_Rabbit_Hole.mp3 Mon, 07 Mar 2011 16:43:28 -0800 TV & Film, Visual Arts no 00:39:19 American Cinematographer, magazine, cinematography, director of photography, movies, films, filmmaking, cinematographer, directing, Rabbit Hole, John Cameron Mitchell, Frank DeMarco, Nicole Kidman, Aaron Eckhart, Iain Stasukevich American Cinematographer Magazine American Cinematographer’s Jim Hemphill interviews director Nicolas Winding Refn about how shooting Valhalla Rising in the remote Scottish Highlands impacted his creative vision, and he discusses using the Red camera with cinematographer Morten Søborg. American Cinematographer’s Jim Hemphill interviews director Nicolas Winding Refn about how shooting Valhalla Rising in the remote Scottish Highlands impacted his creative vision, and he discusses using the Red camera with cinematographer Morten Søborg. http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=259748235 http://www.theasc.com/podcasts/ac_podcasts/16_AC_Podcast_Valhalla_Rising.mp3 Fri, 21 Jan 2011 15:48:13 -0800 TV & Film, Visual Arts no 00:52:48 American Cinematographer, magazine, cinematography, director of photography, movies, films, filmmaking, cinematographer, directing, Valhalla Rising, Nicolas Winding Refn, Morten Søborg, Red Camera, Jim Hemphill American Cinematographer Magazine Edward Lachman, ASC talks with American Cinematographer's Iain Stasukevich about the concepts behind visualizing the works of artists like Bob Dylan and Allen Ginsberg, particularly regarding his work on the recent film, Howl. Edward Lachman, ASC talks with American Cinematographer's Iain Stasukevich about the concepts behind visualizing the works of artists like Bob Dylan and Allen Ginsberg, particularly regarding his work on the recent film, Howl. http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=259748235 http://www.theasc.com/podcasts/ac_podcasts/15_AC_Podcast_Howl.mp3 Mon, 13 Dec 2010 22:07:51 -0800 TV & Film, Visual Arts no 00:30:30 American Cinematographer, magazine, cinematography, director of photography, movies, films, filmmaking, cinematographer, directing, Ed Lachman, Allen Ginsberg, Bob Dylan, James Franco American Cinematographer Magazine Phedon Papamichael, ASC talks with American Cinematographer's Jim Hemphill about the complexities of shooting the big budget Tom Cruise movie, Knight and Day, comparing this large, highly technical shoot with some of his previous, smaller films Phedon Papamichael, ASC talks with American Cinematographer's Jim Hemphill about the complexities of shooting the big budget, effects-filled Tom Cruise movie, Knight and Day, comparing this large and highly technical shoot with some his previous, smaller films http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=259748235 http://www.theasc.com/podcasts/ac_podcasts/14_AC_Podcast_Knight-and-Day.mp3 Mon, 04 Oct 2010 17:21:19 -0700 TV & Film, Visual Arts no 00:38:45 American Cinematographer, magazine, cinematography, director of photography, movies, films, filmmaking, cinematographer, directing, Knight and Day, Phedon Papamichael, Tom Cruise, James Mangold, Jim Hemphill American Cinematographer Magazine John Bartley, ASC talks with American Cinematographer's Iain Stasukevich about his work on the J.J. Abram's television series Lost -- including the peculiarities of shooting on location in Hawaii and working a show with multiple cinematographers John Bartley, ASC talks with American Cinematographer's Iain Stasukevich about his work on the J.J. Abram's television series Lost -- including the peculiarities of shooting on location in Hawaii and working a show with multiple cinematographers http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=259748235 http://www.theasc.com/podcasts/ac_podcasts/13_AC_Podcast_Lost.mp3 Tue, 14 Sep 2010 12:44:29 -0700 TV & Film, Visual Arts no 00:41:35 American Cinematographer, magazine, cinematography, director of photography, movies, films, filmmaking, cinematographer, directing, John Bartley, J.J. Abrams, Lost, television, Iain Stasukevich American Cinematographer Magazine Russell Carpenter, ASC discusses using a digital anamorphic camera, mixing film and digital on effects shots and the complexities of shooting the action comedy 'Killers' with American Cinematographer's Jim Hemphill Russell Carpenter, ASC discusses using a digital anamorphic camera, mixing film and digital on effects shots and the complexities of shooting the action comedy 'Killers' with American Cinematographer's Jim Hemphill http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=259748235 http://www.theasc.com/podcasts/ac_podcasts/12_AC_Podcast_KIllers.mp3 Thu, 17 Jun 2010 15:44:22 -0700 TV & Film, Visual Arts no 00:25:53 American Cinematographer, magazine, cinematography, director of photography, movies, films, filmmaking, cinematographer, directing, Russell, Carpenter, Killers, Ashton Kutcher, Katherine Heigl, Tom Selleck, Robert Luketic American Cinematographer Magazine Steven Fierberg, ASC speaks with American Cinematographer's Iain Stasukevich about setting the look for HBO's series How To Make It In America on location in New York, his career in New York's lower East side and choosing digital or photochemical. Steven Fierberg, ASC speaks with American Cinematographer's Iain Stasukevich about setting the look for HBO's series How To Make It In America on location in New York, his career in New York's lower East side and choosing digital or photochemical. http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=259748235 http://www.theasc.com/podcasts/ac_podcasts/11_AC_Podcast_How-To-Make-It.mp3 Thu, 17 Jun 2010 15:37:07 -0700 TV & Film, Visual Arts no 00:29:06 American Cinematographer, magazine, cinematography, director of photography, movies, films, filmmaking, cinematographer, directing, How to Make it in America, Steven, Fierberg, HBO American Cinematographer Magazine Cinematographer Peter Biagi talks with American Cinematographer about shooting the 2009 feature Under New Management about maintaining a career in the Chicago area, shooting on location in New York and working as a camera operator for Robert Altman. Cinematographer Peter Biagi talks with American Cinematographer magazine about shooting the 2009 feature Under New Management. Biagi discusses maintaining a career in the Chicago area, shooting on location in New York and working as a camera operator for Robert Altman on his last two features. http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=259748235 http://www.theasc.com/podcasts/ac_podcasts/10_AC_Podcast_Under_New_Mgmt.mp3 Tue, 08 Jun 2010 19:22:53 -0700 TV & Film, Visual Arts no 00:44:01 American Cinematographer, magazine, cinematography, director of photography, movies, films, filmmaking, cinematographer, directing, Peter, Biagi, Under New Management, Joe Otting, Robert Altman American Cinematographer Magazine Stephen Goldblatt, ASC, BSC, cinematographer of "Percy Jackson & the Olympians: The Lightning Thief," talks with Jim Hemphill about shooting this digital effects extravaganza on a limited budget, and the increasing presence of digital tools in production. Stephen Goldblatt, ASC, BSC, cinematographer of "Percy Jackson & the Olympians: The Lightning Thief," talks with Jim Hemphill about shooting this digital effects extravaganza on a limited budget, and the increasing presence of digital tools in production. http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=259748235 http://www.theasc.com/podcasts/ac_podcasts/09_AC_Podcast_Percy_Jackson.mp3 Mon, 26 Apr 2010 15:28:30 -0700 TV & Film, Visual Arts no 00:32:02 Percy Jackson, the Olympians, The Lightning Thief, Stephen, Goldblatt, Jim Hemphill, Chris Columbus, American Cinematographer, magazine, cinematography, director of photography, movies, films, filmmaking, cinematographer American Cinematographer Magazine Cinematographer Barry Markowitz, ASC talks with American Cinematographer's Iain Stasukevich about his work on the film, Crazy Heart, discussing working with actor/directors, shooting this low budget film on location and working with actor Jeff Bridges. Cinematographer Barry Markowitz, ASC talks with American Cinematographer's Iain Stasukevich about his work on the film, Crazy Heart, discussing working with actor/directors, shooting this low budget film on location and working with actor Jeff Bridges. http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=259748235 http://www.theasc.com/podcasts/ac_podcasts/08_AC_Podcast_Crazy_Heart.mp3 Mon, 15 Mar 2010 13:33:15 -0700 TV & Film, Visual Arts no 00:34:40 American Cinematographer, magazine, cinematography, director of photography, movies, films, filmmaking, cinematographer, Crazy Heart, Barry Markowitz, Jeff Bridges, Scott Cooper American Cinematographer Magazine Cinematographer Peter Zeitlinger and filmmaker Werner Herzog talk with American Cinematographer's Iain Stasukevich about Herzog's unique shooting style, and how his freestyle approach fosters great performances and requires much flexibility from the crew. Cinematographer Peter Zeitlinger and filmmaker Werner Herzog talk with American Cinematographer's Iain Stasukevich about Herzog's unique shooting style, and how his freestyle approach fosters great performances and requires much flexibility from the crew. http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=259748235 http://www.theasc.com/podcasts/ac_podcasts/07_AC_Podcast_Bad_Lieutenant.m4v Tue, 02 Feb 2010 09:37:44 -0800 TV & Film, Visual Arts no 00:26:01 American Cinematographer, magazine, cinematography, director of photography, movies, films, filmmaking, cinematographer, Bad Lieutenant, Port of Call, New Orleans, Peter Zeitlinger, Werner Herzog, Nicholas Cage, Erik Söllner, Iain Stasukevich American Cinematographer Magazine Rodney Taylor, ASC, cinematographer of That Evening Sun, talks with AC’s Jim Hemphill about shooting a low-budget anamorphic feature on location and finishing using old school photochemical techniques. Rodney Taylor, ASC, cinematographer of That Evening Sun, talks with AC’s Jim Hemphill about shooting a low-budget anamorphic feature on location and finishing using old school photochemical techniques. http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=259748235 http://www.theasc.com/podcasts/ac_podcasts/06_AC_Podcast_Evening-Sun.m4v Tue, 12 Jan 2010 09:06:42 -0800 TV & Film no 00:43:49 American Cinematographer, magazine, cinematography, director of photography, movies, films, filmmaking, cinematographer, Hal Holbrook, Rodney Taylor, Raymond McKinnon, Scott Teems, Jim Hemphill American Cinematographer Magazine Cinematographer Mihai Malaimare Jr. speaks with American Cinematographer's Jim Hemphill about his work on Francis Ford Coppola's film Tetro, delving into the specifics of the film's unique visual style as well as shooting High Definition Video. Cinematographer Mihai Malaimare Jr. speaks with American Cinematographer's Jim Hemphill about his work on Francis Ford Coppola's film Tetro, delving into the specifics of the film's unique visual style, shooting on location in Argentina, and his experiences shooting High Definition Video. http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=259748235 http://www.theasc.com/podcasts/ac_podcasts/05_AC_Podcast_Tetro.m4a Mon, 21 Sep 2009 10:27:00 -0700 TV & Film no 00:47:10 Tetro, Mihai, Malaimare, Coppola, jim Hemphill, American Cinematographer, magazine, cinematography, director of photography, movies, films, filmmaking, cinematographer American Cinematographer Magazine Newton Thomas Sigel, ASC, cinematographer of Valkyrie, speaks with American Cinematographer's Jon Silberg about the film stocks, lenses and digital intermediate processes used on the film as well as the impact of Tom Cruise joining the project. Newton Thomas Sigel, ASC, cinematographer of Valkyrie, speaks with American Cinematographer's Jon Silberg about the film stocks, lens and digital intermediate processes that created the look of the film as well as the impact of Tom Cruise signing on to what had originally been a small and low-budget project. http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=259748235 http://www.theasc.com/podcasts/ac_podcasts/04_AC_Podcast_Valkyrie.mp3 Thu, 26 Feb 2009 13:55:21 -0800 TV & Film no 00:27:22 American Cinematographer, magazine, cinematography, director of photography, movies, films, filmmaking, cinematographer,Newton Thomas, Sigel, Brad Singer, Tom Cruise, Valkyrie,Jon Silberg American Cinematographer Magazine Cinematographer Matthew Leonetti, ASC and visual effects supervisor Richard Edlund, ASC sit down with American Cinematographer's Iain Stasukevich to discuss some of the classic techniques on display in the 1982 film Poltergeist. Cinematographer Matthew Leonetti, ASC and visual effects supervisor Richard Edlund, ASC sits down with American Cinematographer's Iain Stasukevich to discuss some of the classic techniques on display in the 1982 film Poltergeist. http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=259748235 http://www.theasc.com/podcasts/ac_podcasts/03_AC_Podcast_Poltergeist.mp3 Wed, 31 Dec 2008 12:31:16 -0800 TV & Film no 00:31:42 American Cinematographer, cinematography, cinematographer, Poltergeist, Matthew Leonetti, Richard Edlund, Steven Spielberg American Cinematographer Magazine Guillermo Navarro, ASC, cinematographer of Hellboy II: The Golden Army, discusses shooting tooth fairies and elementals, creating otherworldly environments and working alongside Guillermo del Toro with American Cinematographer's Iain Stasukevich. Guillermo Navarro, ASC, cinematographer of Hellboy II: The Golden Army, discusses shooting tooth fairies and elementals, creating otherworldly environments and working alongside Guillermo del Toro with American Cinematographer's Iain Stasukevich. http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=259748235 http://www.theasc.com/podcasts/ac_podcasts/02_AC_Podcast_Hellboy_II.m4v Thu, 31 Jul 2008 17:58:21 -0700 TV & Film no 00:37:01 American Cinematographer, cinematography, cinematographer, Wally Pfister, Hellboy, Guillermo del Toro, Hellboy II: The Golden Army American Cinematographer magazine Part 2 of a wide-ranging interview with Stephen Pizzello, Alik Sakharov, ASC, the main director of photography on HBO’s The Sopranos, reveals secrets about the show’s controversial ending and offers an in-depth overview of his work on the series. Alik Sakharov, ASC, the main director of photography on HBO’s The Sopranos, has revealed that the show’s controversial ending was partly inspired by the mindbending climax of Stanley Kubrick’s metaphysical space opera 2001: A Space Odyssey — an homage he planned carefully with the show’s creator, David Chase. “We talked about 2001 quite a bit,” Sakharov says in an exclusive, hour-long podcast that can be heard by clicking on the accompanying link. In a wide-ranging interview with Stephen Pizzello, executive editor of American Cinematographer magazine, Sakharov reveals other secrets about the show’s final scene and offers an in-depth overview of his work on the series. http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=259748235 http://www.ascmag.com/podcasts/ac_podcasts/ac_sopranos_2.m4a Tue, 10 Jul 2007 10:16:19 -0700 TV & Film no 00:24:42 cinematography, ASC, HBO, The Sopranos, American Cinematographer, magazine, Alik Sakharov, Stephen Pizzello American Cinematographer Magazine Part 1 of a wide-ranging interview with Stephen Pizzello, Alik Sakharov, ASC, the main director of photography on HBO’s The Sopranos, reveals secrets about the show’s controversial ending and offers an in-depth overview of his work on the series. Alik Sakharov, ASC, the main director of photography on HBO’s The Sopranos, has revealed that the show’s controversial ending was partly inspired by the mindbending climax of Stanley Kubrick’s metaphysical space opera 2001: A Space Odyssey — an homage he planned carefully with the show’s creator, David Chase. “We talked about 2001 quite a bit,” Sakharov says in an exclusive, hour-long podcast that can be heard by clicking on the accompanying link. In a wide-ranging interview with Stephen Pizzello, executive editor of American Cinematographer magazine, Sakharov reveals other secrets about the show’s final scene and offers an in-depth overview of his work on the series. http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=259748235 http://www.ascmag.com/podcasts/ac_podcasts/ac_sopranos_1.m4a Fri, 06 Jul 2007 17:49:17 -0700 TV & Film no 00:27:00 cinematography, ASC, HBO, The Sopranos, American Cinematographer, magazine, Alik Sakharov, Stephen Pizzello