Tue, 23 Apr 2013 09:05:14 -0700 American Cinematographer Magazine http://www.theasc.com Podcast Maker v1.4.1 - http://www.lemonzdream.com/podcastmaker American Cinematographer magazine interviews cinematographers, directors and other key collaborators involved in creative process of bringing film and television projects to the screen. American Cinematographer magazine interviews cinematographers, directors and other key collaborators involved in creative process of bringing film and television projects to the screen. en American Cinematographer American Cinematographer jon@e-a-media.com http://www.theasc.com/podcasts/ac_podcasts/AC_Podcast_Title_final_300_144.jpg http://www.theasc.com 144 144 TV & Film Visual Arts American Cinematographer, magazine, cinematography, director of photography, movies, films, filmmaking, cinematographer, directing no American Cinematographer Magazine American Cinematographer's Iain Stasukevich speaks with cinematographers John Toll, ASC and Frank Griebe about the Wachowski sibling's feature, Cloud Atlas; and how they collaborated on the look of this complicated production shot in multiple countries American Cinematographer's Iain Stasukevich speaks with cinematographers John Toll, ASC and Frank Griebe about the Wachowski sibling's feature, Cloud Atlas; and how they collaborated on the project, from establishing the look of the film, to managing a tight and complicated production schedule, as well as staying abreast of each other's work while shooting with two directing teams in a multinational shoot. http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=259748235 http://www.theasc.com/podcasts/ac_podcasts/39_AC_Podcast_Cloud_Atlas.mp3 Tue, 23 Apr 2013 08:49:03 -0700 TV & Film, Visual Arts no 00:34:15 American Cinematographer, magazine, cinematography, director of photography, movies, films, filmmaking, cinematographer, directing, Cloud Atlas, John Toll, Frank Griebe, Andy Wachowski, Lana Wachowski, Tom Tykwer, Tom Hanks, Halle Berry American Cinematographer Magazine American Cinematographer's Jim Hemphill talks with cinematographer Russell Carpenter, ASC and director Joshua Michael Stern about creating three distinct looks, on a tight budget, for each time period in this biopic about Apple founder Steve Jobs. American Cinematographer's Jim Hemphill talks with cinematographer Russell Carpenter, ASC and director Joshua Michael Stern about the film, Jobs, which explores the life and career of Apple founder Steve Jobs. Working with the budget of an independent film, they created three unique looks to capture the feel of different eras in Job's life, but were careful never to go 'over the top.' They also discuss how working fast and light, due to the budgetary constraints, provided a sense of freedom and flexibility while shooting the film. http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=259748235 http://www.theasc.com/podcasts/ac_podcasts/38_AC_Podcast_Jobs.mp3 Wed, 17 Apr 2013 11:20:21 -0700 TV & Film, Visual Arts no 00:45:10 American Cinematographer, magazine, cinematography, director of photography, movies, films, filmmaking, cinematographer, directing, Steve Jobs, Russell Carpenter, Joshua Michael Stern, Apple Computer American Cinematographer Magazine American Cinematographer's Iain Stasukevich speaks with cinematographer Norm Li, CSC, and director Panos Cosmatos about their collaboration on Beyond the Black Rainbow -- a stylish low budget scifi thriller -- and their decision to shoot 2-perf 35mm film. American Cinematographer's Iain Stasukevich speaks with cinematographer Norm Li, CSC, and director Panos Cosmatos about their collaboration on Beyond the Black Rainbow, a stylish low budget sci fi thriller, they discuss the films they turned to for inspiration as well as their decision to shoot 2-perf 35mm film instead of digital or other formats. http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=259748235 http://www.theasc.com/podcasts/ac_podcasts/37_AC_Podcast_Black_Rainbow.mp3 Mon, 11 Feb 2013 10:51:37 -0800 TV & Film, Visual Arts no 00:35:57 American Cinematographer, magazine, cinematography, director of photography, movies, films, filmmaking, cinematographer, directing, Beyond the Black Rainbow, Norm Li, Panos Cosmatos, Iain Stasukevich American Cinematographer Magazine American Cinematographer's Jim Hemphill talks with Shane Hurlbut, ASC about Deadfall and his choice of mixing film capture with additional DSLR cameras, the effects of combining formats on workflow, and how he selects the best equipment for each film. American Cinematographer's Jim Hemphill talks with Shane Hurlbut, ASC about the 2012 film, Deadfall, and his choice of mixing film capture with additional DSLR cameras, the effects of combining formats on workflow, and how he selects the best equipment for each film. http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=259748235 http://www.theasc.com/podcasts/ac_podcasts/36_AC_Podcast_Deadfall.mp3 Wed, 09 Jan 2013 09:28:05 -0800 TV & Film, Visual Arts no 00:47:34 American Cinematographer, magazine, cinematography, director of photography, movies, films, filmmaking, cinematographer, directing, Shane Hurlbut, Deadfall, Stefan Ruzowitzky, Jim Hemphill American Cinematographer Magazine American Cinematographer's Jim Hemphill speaks with Claudio Miranda, ASC about his work on Ang Lee's Life of Pi, discussing the unique challenges of shooting digital 3D on this film, set mostly on the open ocean — and how they kept it visually engaging. American Cinematographer's Jim Hemphill speaks with Claudio Miranda, ASC about his work on Ang Lee's Life of Pi, discussing the unique challenges of shooting digital 3D on this film, set mostly on the open ocean — and how they kept it visually engaging. Additionally, Miranda discusses the choice of camera as well as the lighting rigs used to create a variety of moods and weather conditions on the tank where much of the film was filmed. http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=259748235 http://www.theasc.com/podcasts/ac_podcasts/35_AC_Podcast_Life_of_Pi.mp3 Wed, 05 Dec 2012 21:40:37 -0800 TV & Film, Visual Arts no 00:30:27 American Cinematographer, magazine, cinematography, director of photography, movies, films, filmmaking, cinematographer, directing, Claudio Miranda, Ang Lee, Life of Pi, Jim Hemphill American Cinematographer Magazine American Cinematographer's Iain Stasukevich talks with Peter Deming, ASC about playing with and against traditional horror cliches in the Joss Whedon-produced film, Cabin in the Woods, as well as working with directors Lynch, Raimi and Craven. American Cinematographer's Iain Stasukevich talks with Peter Deming, ASC about playing with and against traditional horror cliches in the Joss Whedon-produced film, Cabin in the Woods, as well as his past work with directors who explore darker themes: David Lynch, Sam Raimi and Wes Craven. http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=259748235 http://www.theasc.com/podcasts/ac_podcasts/34_AC_Podcast_Cabin_in_the_Woods.mp3 Wed, 28 Nov 2012 10:55:25 -0800 TV & Film, Visual Arts no 00:27:19 American Cinematographer, magazine, cinematography, director of photography, movies, films, filmmaking, cinematographer, directing, Peter Deming, Cabin in the Woods, Iain Stasukevich, Joss Whedon American Cinematographer Magazine Director Mikael Salomon, ASC and cinematographer Ben Nott, ACS speak with American Cinematographer's Jim Hemphill about the A&E Miniseries Coma: how former cinematographer Salomon approaches directing, and how they got the most out of a tiny budget. Director Mikael Salomon, ASC and cinematographer Ben Nott, ACS speak with American Cinematographer's Jim Hemphill about the A&E Miniseries, Coma, including how former cinematographer Mikael Salomon approached directing, how they achieved a feature film look on a tiny budget, and how they worked with existing locations and lighting because the budget mostly precluded building sets. http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=259748235 http://www.theasc.com/podcasts/ac_podcasts/33_AC_Podcast_Coma.mp3 Thu, 08 Nov 2012 17:20:49 -0800 TV & Film, Visual Arts no 00:45:43 American Cinematographer, magazine, cinematography, director of photography, movies, films, filmmaking, cinematographer, directing, Mikael Salomon, Ben Nott , Jim Hemphill, Coma, TV, Miniseries American Cinematographer Magazine American Cinematographer's Jim Hemphill talks with director Bart Layton and cinematographer Erik Wilson about the art of creating dramatic, cinematic reenactments in the context of a documentary as well as having two different cinematographers on the film American Cinematographer's Jim Hemphill talks with director Bart Layton and cinematographer Erik Wilson about the art of creating dramatic, cinematic reenactments in the context of a documentary as well as the challenge of working with previously shot interview footage from cinematographer Lynda Hall. http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=259748235 http://www.theasc.com/podcasts/ac_podcasts/32_AC_Podcast_The_Imposter.mp3 Fri, 26 Oct 2012 10:56:46 -0700 TV & Film, Visual Arts no 00:31:58 American Cinematographer, magazine, cinematography, director of photography, movies, films, filmmaking, cinematographer, directing, Erik Wilson, Bart Layton, The Imposter, Jim Hemphill American Cinematographer Magazine American Cinematographer's Jim Hemphill talks with Frank Barrera about his collaboration with actor and first-time director Patrick Wang to create a restrained and effective look for this very low budget Indie film, as well as their visual influences. American Cinematographer's Jim Hemphill talks with Frank Barrera about his collaboration with actor and first-time director Patrick Wang to create a restrained and effective look for this very low budget Indie film shot on the RED camera. They also cover their visual influences, especially how they avoid being overly melodramatic and how they were heavily influenced by Ingmar Bergman's "Scenes from a Marriage" and Cassavetes "A Woman Under the Influence." http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=259748235 http://www.theasc.com/podcasts/ac_podcasts/31_AC_Podcast_In_the_Family.mp3 Fri, 14 Sep 2012 11:43:29 -0700 TV & Film, Visual Arts no 00:39:13 American Cinematographer, magazine, cinematography, director of photography, movies, films, filmmaking, cinematographer, directing, In the Family, Frank Barrera, Patrick Wang, Jim Hemphill American Cinematographer Magazine American Cinematographer's Iain Stasukevich talks with Sean Bobbitt, BSC about his work on filmmaker Steve McQueen's independent film, Shame, covering the film's visual style, and how trust on the set was essential with the film's difficult subject matter American Cinematographer's Iain Stasukevich talks with Sean Bobbitt, BSC about his work on filmmaker Steve McQueen's independent film, Shame, covering the film's visual style -- including his approach to shooting New York from a fresh perspective, director McQueen's artistic approach on this film and on Hunger, and how building trust with the crew and actors was an essential element for success, especially with the subject matter of a sex addict. http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=259748235 http://www.theasc.com/podcasts/ac_podcasts/30_AC_Podcast_Shame.mp3 Fri, 17 Aug 2012 11:41:29 -0700 TV & Film, Visual Arts no 00:37:01 American Cinematographer, magazine, cinematography, director of photography, movies, films, filmmaking, cinematographer, directing, Sean Bobbitt, BSC, Steve McQueen, Shame, Hunger, Iain Stasukevich American Cinematographer Magazine Alex Vendler talks with American Cinematographer's Jim Hemphill about shooting The Woman, an independent feature which made a splash at Sundance, and discusses getting the most out of a small budget as well as his creative collaboration with Lucky McKee Alex Vendler talks with American Cinematographer's Jim Hemphill about shooting The Woman, an independent feature which made a splash at Sundance, They discuss getting the most out of a small budget, his choice of equipment, his creative and artistic collaboration with Lucky McKee as well their volatile Sundance screening. http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=259748235 http://www.theasc.com/podcasts/ac_podcasts/29_AC_Podcast_The_Woman.mp3 Tue, 17 Jul 2012 14:39:28 -0700 TV & Film, Visual Arts no 00:26:33 American Cinematographer, magazine, cinematography, director of photography, movies, films, filmmaking, cinematographer, directing, Alex Vendler, Lucky McGee, The Woman, Jim Hemphill American Cinematographer Magazine American Cinematographer's Jim Hemphill speaks with Mátyás Erdély, HSC about the Cannes-nominated film, Miss Bala, and his collaboration with director Gerardo Naranjo on its formal, restrained visual style in exploring Mexico's violent drug cartels. American Cinematographer's Jim Hemphill speaks with Mátyás Erdély, HSC about the Cannes-nominated film, Miss Bala, and his collaboration with director Gerardo Naranjo on the film's formal, restrained visual style in exploring Mexico's violent drug cartels. They delve into the choice of anamorphic lenses and the filmmakers' approach to covering the violent subject matter through a more detached perspective -- also, they cover Erdély's Hungarian roots as a cinematographer. http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=259748235 http://www.theasc.com/podcasts/ac_podcasts/28_AC_Podcast_Miss_Bala.mp3 Thu, 14 Jun 2012 09:21:37 -0700 TV & Film, Visual Arts no 00:23:30 American Cinematographer, magazine, cinematography, director of photography, movies, films, filmmaking, cinematographer, directing, Mátyás Erdély, Gerardo Naranjo, Miss Bala, Jim Hemphill American Cinematographer Magazine Oliver Stapleton, BSC speaks with American Cinematographer's Jim Hemphill about Guillermo del Toro's production of Don't Be Afraid of the Dark, why he prefers to capture on film, working with first-time directors and planning for visual effects. Oliver Stapleton, BSC speaks with American Cinematographer's Jim Hemphill about Guillermo del Toro's production of Don't Be Afraid of the Dark, directed by Troy Nixey. He reveals why he prefers to capture on film, what it is like working with first-time directors, how he collaborates with other departments to plan for visual effects as well as his artistic approach to the craft. http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=259748235 http://www.theasc.com/podcasts/ac_podcasts/27_AC_Podcast_Dont-Be-Afraid.mp3 Fri, 25 May 2012 10:13:40 -0700 TV & Film, Visual Arts no 00:42:28 American Cinematographer, magazine, cinematography, director of photography, movies, films, filmmaking, cinematographer, directing, Oliver Stapleton, BSC, Don't Be Afraid of the Dark, 2010, Guillermo del Toro, Troy Nixey, Jim Hemphill, Bailee Madison American Cinematographer Magazine American Cinematographer's Iain Stasukevich goes on location to speak with Fred Murphy about lighting the television series The Good Wife, about becoming comfortable with digital capture and about what makes a good cinematographer. American Cinematographer's Iain Stasukevich goes on location to speak with Fred Murphy about lighting the television series The Good Wife, about becoming comfortable with digital capture and about what makes a good cinematographer. http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=259748235 http://www.theasc.com/podcasts/ac_podcasts/26_AC_Podcast_Good_Wife.mp3 Fri, 13 Apr 2012 09:47:39 -0700 TV & Film, Visual Arts no 00:25:35 American Cinematographer, magazine, cinematography, director of photography, movies, films, filmmaking, cinematographer, directing, Fred Murphy, Iain Stasukevich, The Good Wife American Cinematographer Magazine Chris Menges, ASC, BSC speaks with American Cinematographer's Jim Hemphill about Stephen Daldry's Extremely Loud & Incredibly Close and how he shot and lit the film to make it easier for first-time child actor Thomas Horn to focus on his performance. Chris Menges, ASC, BSC speaks with American Cinematographer's Jim Hemphill about Stephen Daldry's Extremely Loud & Incredibly Close and how he shot the film to make it easier for first-time child actor Thomas Horn to focus on his performance, and also about his collaboration with production designer K. K. Barrett to create sets lit almost primarily by practicals and windows. Menges also discusses his experiences using the Arri's Alexa camera. http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=259748235 http://www.theasc.com/podcasts/ac_podcasts/25_AC_Podcast_Extremely_Loud.mp3 Thu, 08 Mar 2012 09:16:42 -0800 TV & Film, Visual Arts no 00:27:16 American Cinematographer, magazine, cinematography, director of photography, movies, films, filmmaking, cinematographer, directing, Chris Menges, Stephen Daldry, Thomas Horn, Extremely Loud and Incredibly Close American Cinematographer Magazine Checco Varese, ASC, AMC talks with American Cinematographer's Jim Hemphill about filming Renny Harlin's 5 Days of War in the Georgian Republic, about working with the Georgian military to stage a massive military attack and his use of an early RED camera. Checco Varese, ASC, AMC talks with American Cinematographer's Jim Hemphill about filming Renny Harlin's 5 Days of War in the Georgian Republic, including shooting in the remote abandoned village of Tsalka where they cooperated with the Georgian military to recreate a Russian attack using jets, tanks, helicopters, practical explosions and one thousand extras. He also discusses the choice of shooting with a very early build of the RED digital camera. http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=259748235 http://www.theasc.com/podcasts/ac_podcasts/24_AC_Podcast_5_Days_of_War.mp3 Thu, 08 Mar 2012 09:16:24 -0800 TV & Film, Visual Arts no 00:30:59 American Cinematographer, magazine, cinematography, director of photography, movies, films, filmmaking, cinematographer, directing, 5 Days of War, Five Days of War, Checco Varese, Renny Harlin American Cinematographer Magazine American Cinematographer's Jean Oppenheimer hosts a wide-ranging discussion with Conrad Hall, Jr. about the challenges and happy accidents of shooting OKA! in a remote pygmy village in Africa with limited equipment and using locals as actors and crew American Cinematographer's Jean Oppenheimer hosts a wide-ranging discussion with Conrad Hall, Jr. about the challenges and happy accidents of shooting OKA! in a remote pygmy village in the Central African forest. He details his approach to lighting the film, attempting to capture the natural beauty of the people and the locale with a limited equipment package, as well as working with the local Bayaka tribe as both actors and crew. http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=259748235 http://www.theasc.com/podcasts/ac_podcasts/23_AC_Podcast_OKA.mp3 Tue, 15 Nov 2011 11:35:36 -0800 TV & Film, Visual Arts no 00:48:31 American Cinematographer, magazine, cinematography, director of photography, movies, films, filmmaking, cinematographer, directing, Conrad Hall Jr, OKA, OKA!, Lavinia Currier, Norbert Bogbeyate , James Bruce American Cinematographer Magazine American Cinematographer's Jean Oppenheimer speaks with Amy Vincent, ASC, cinematographer of Footloose, discussing how the film's dance sequences advance the story, creating the 'look' for Julianne Hough, and her repeated collaborations with Craig Brewer American Cinematographer's Jean Oppenheimer speaks with Amy Vincent, ASC, cinematographer of the 2011 release of Footloose, discussing how the film's dance sequences advance the story, how she collaborated with hair and makeup to create the 'look' for Julianne Hough, and about her repeated collaborations with Craig Brewer http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=259748235 http://www.theasc.com/podcasts/ac_podcasts/22_AC_Podcast_Footloose.mp3 Mon, 14 Nov 2011 18:24:29 -0800 TV & Film, Visual Arts no 00:27:26 American Cinematographer, magazine, cinematography, director of photography, movies, films, filmmaking, cinematographer, directing, Amy Vincent, Footloose, Footloose 2011, Craig Brewer, Julianne Hough, Jean Oppenheimer American Cinematographer Magazine In part two, Michael Slovis, ASC discusses the process Breaking Bad employs to support its directors and provide a consistent feel to the series, as well as how it feels to work in this system. In part two, Michael Slovis, ASC discusses the process Breaking Bad employs to support its directors and provide a consistent feel to the series, as well as how it feels to work in this system. http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=259748235 http://www.theasc.com/podcasts/ac_podcasts/21_AC_Podcast_Breaking_Bad_Directing.mp3 Mon, 27 Jun 2011 15:58:07 -0700 TV & Film, Visual Arts no 00:19:52 American Cinematographer, magazine, cinematography, director of photography, movies, films, filmmaking, cinematographer, directing, Michael Slovis, Breaking Bad, Stasukevich American Cinematographer Magazine In part one, Michael Slovis, ASC talks with American Cinematographer's Iain Stasukevich about how the supportive and collaborative team, from the network through to the crew, work together to capture the New Mexican landscape with a cinematic flair. In part one, Michael Slovis, ASC talks with American Cinematographer's Iain Stasukevich about how the supportive and collaborative team, from the network through to the crew, work together to capture the New Mexican landscape with a cinematic flair. http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=259748235 http://www.theasc.com/podcasts/ac_podcasts/20_AC_Podcast_Breaking_Bad_Cinematography.mp3 Mon, 27 Jun 2011 15:48:19 -0700 TV & Film, Visual Arts no 00:33:44 American Cinematographer, magazine, cinematography, director of photography, movies, films, filmmaking, cinematographer, directing, Michael Slovis, Breaking Bad, Stasukevich American Cinematographer Magazine American Cinematographer's Iain Stasukevich goes on location to Berlinale 2011 and speaks to: Wim Wenders about using 3-D on his documentary, Pina; Guy Maddin about his use of found footage; and Przemyslaw Wojcieszek about the look of Made in Poland American Cinematographer's Iain Stasukevich goes on location to Berlinale 2011 and speaks to: director Wim Wenders about using 3-D on his dance documentary, Pina; director Guy Maddin and his producer Jody Shapiro about his use of found footage in Fragments; and director Przemyslaw Wojcieszek about the how he came to the more experimental, distressed and black and white, look of the film Made in Poland. http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=259748235 http://www.theasc.com/podcasts/ac_podcasts/19_AC_Podcast_Berlinale-2011.mp3 Thu, 19 May 2011 17:28:40 -0700 TV & Film, Visual Arts no 00:33:13 American Cinematographer, magazine, cinematography, director of photography, movies, films, filmmaking, cinematographer, Stasukevich, Wim Wenders, Guy Maddin, Przemyslaw Wojcieszek, Pina, Made in Poland, Hauntings Fragments, Berlinale, 2011 American Cinematographer Magazine American Cinematographer's Iain Stasukevich sits with Eduard Grau, cinematographer of Buried, discussing the creative and technical challenges of setting the entire film within the constraints of a coffin, as well as the decision to shoot film over video. American Cinematographer's Iain Stasukevich sits with Eduard Grau, cinematographer of Buried, discussing the creative and technical challenges of setting the entire film within the constraints of a coffin, as well as the decision to shoot film over video. http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=259748235 http://www.theasc.com/podcasts/ac_podcasts/18_AC_Podcast_Buried.mp3 Tue, 12 Apr 2011 12:58:19 -0700 TV & Film, Visual Arts no 00:37:58 American Cinematographer, magazine, cinematography, director of photography, movies, films, filmmaking, cinematographer, directing, Eduard Grau, Rodrigo Cortes, Ryan Reynolds, Buried American Cinematographer Magazine American Cinematographer's Iain Stasukevich talks with Rabbit Hole director John Cameron Mitchell and cinematographer Frank DeMarco about using the Red camera, shooting with older lenses and filming unobtrusively for great performances from the cast. American Cinematographer’s Iain Stasukevich talks with Rabbit Hole director John Cameron Mitchell and cinematographer Frank DeMarco about shooting with and rating the speed of the Red camera, their use of older lenses and shooting unobtrusively for great performances from the Nicole Kidman and Aaron Eckhart. http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=259748235 http://www.theasc.com/podcasts/ac_podcasts/17_AC_Podcast_Rabbit_Hole.mp3 Mon, 07 Mar 2011 16:43:28 -0800 TV & Film, Visual Arts no 00:39:19 American Cinematographer, magazine, cinematography, director of photography, movies, films, filmmaking, cinematographer, directing, Rabbit Hole, John Cameron Mitchell, Frank DeMarco, Nicole Kidman, Aaron Eckhart, Iain Stasukevich American Cinematographer Magazine American Cinematographer’s Jim Hemphill interviews director Nicolas Winding Refn about how shooting Valhalla Rising in the remote Scottish Highlands impacted his creative vision, and he discusses using the Red camera with cinematographer Morten Søborg. American Cinematographer’s Jim Hemphill interviews director Nicolas Winding Refn about how shooting Valhalla Rising in the remote Scottish Highlands impacted his creative vision, and he discusses using the Red camera with cinematographer Morten Søborg. http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=259748235 http://www.theasc.com/podcasts/ac_podcasts/16_AC_Podcast_Valhalla_Rising.mp3 Fri, 21 Jan 2011 15:48:13 -0800 TV & Film, Visual Arts no 00:52:48 American Cinematographer, magazine, cinematography, director of photography, movies, films, filmmaking, cinematographer, directing, Valhalla Rising, Nicolas Winding Refn, Morten Søborg, Red Camera, Jim Hemphill American Cinematographer Magazine Edward Lachman, ASC talks with American Cinematographer's Iain Stasukevich about the concepts behind visualizing the works of artists like Bob Dylan and Allen Ginsberg, particularly regarding his work on the recent film, Howl. Edward Lachman, ASC talks with American Cinematographer's Iain Stasukevich about the concepts behind visualizing the works of artists like Bob Dylan and Allen Ginsberg, particularly regarding his work on the recent film, Howl. http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=259748235 http://www.theasc.com/podcasts/ac_podcasts/15_AC_Podcast_Howl.mp3 Mon, 13 Dec 2010 22:07:51 -0800 TV & Film, Visual Arts no 00:30:30 American Cinematographer, magazine, cinematography, director of photography, movies, films, filmmaking, cinematographer, directing, Ed Lachman, Allen Ginsberg, Bob Dylan, James Franco American Cinematographer Magazine Phedon Papamichael, ASC talks with American Cinematographer's Jim Hemphill about the complexities of shooting the big budget, effects-filled Tom Cruise movie, Knight and Day, comparing this large, highly technical shoot with his previous, smaller films Phedon Papamichael, ASC talks with American Cinematographer's Jim Hemphill about the complexities of shooting the big budget, effects-filled Tom Cruise movie, Knight and Day, comparing this large and highly technical shoot with some his previous, smaller films http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=259748235 http://www.theasc.com/podcasts/ac_podcasts/14_AC_Podcast_Knight-and-Day.mp3 Mon, 04 Oct 2010 17:21:19 -0700 TV & Film, Visual Arts no 00:38:45 American Cinematographer, magazine, cinematography, director of photography, movies, films, filmmaking, cinematographer, directing, Knight and Day, Phedon Papamichael, Tom Cruise, James Mangold, Jim Hemphill American Cinematographer Magazine John Bartley, ASC talks with American Cinematographer's Iain Stasukevich about his work on the J.J. Abram's television series Lost -- including the peculiarities of shooting on location in Hawaii and working a show with multiple cinematographers John Bartley, ASC talks with American Cinematographer's Iain Stasukevich about his work on the J.J. Abram's television series Lost -- including the peculiarities of shooting on location in Hawaii and working a show with multiple cinematographers http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=259748235 http://www.theasc.com/podcasts/ac_podcasts/13_AC_Podcast_Lost.mp3 Tue, 14 Sep 2010 12:44:29 -0700 TV & Film, Visual Arts no 00:41:35 American Cinematographer, magazine, cinematography, director of photography, movies, films, filmmaking, cinematographer, directing, John Bartley, J.J. Abrams, Lost, television, Iain Stasukevich American Cinematographer Magazine Russell Carpenter, ASC discusses using a digital anamorphic camera, mixing film and digital on effects shots and the complexities of shooting the action comedy 'Killers' with American Cinematographer's Jim Hemphill Russell Carpenter, ASC discusses using a digital anamorphic camera, mixing film and digital on effects shots and the complexities of shooting the action comedy 'Killers' with American Cinematographer's Jim Hemphill http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=259748235 http://www.theasc.com/podcasts/ac_podcasts/12_AC_Podcast_KIllers.mp3 Thu, 17 Jun 2010 15:44:22 -0700 TV & Film, Visual Arts no 00:25:53 American Cinematographer, magazine, cinematography, director of photography, movies, films, filmmaking, cinematographer, directing, Russell, Carpenter, Killers, Ashton Kutcher, Katherine Heigl, Tom Selleck, Robert Luketic American Cinematographer Magazine Steven Fierberg, ASC speaks with American Cinematographer's Iain Stasukevich about setting the look for HBO's series How To Make It In America on location in New York, his career in New York's lower East side and choosing digital or photochemical. Steven Fierberg, ASC speaks with American Cinematographer's Iain Stasukevich about setting the look for HBO's series How To Make It In America on location in New York, his career in New York's lower East side and choosing digital or photochemical. http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=259748235 http://www.theasc.com/podcasts/ac_podcasts/11_AC_Podcast_How-To-Make-It.mp3 Thu, 17 Jun 2010 15:37:07 -0700 TV & Film, Visual Arts no 00:29:06 American Cinematographer, magazine, cinematography, director of photography, movies, films, filmmaking, cinematographer, directing, How to Make it in America, Steven, Fierberg, HBO American Cinematographer Magazine Cinematographer Peter Biagi talks with American Cinematographer about shooting the 2009 feature Under New Management about maintaining a career in the Chicago area, shooting on location in New York and working as a camera operator for Robert Altman. Cinematographer Peter Biagi talks with American Cinematographer magazine about shooting the 2009 feature Under New Management. Biagi discusses maintaining a career in the Chicago area, shooting on location in New York and working as a camera operator for Robert Altman on his last two features. http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=259748235 http://www.theasc.com/podcasts/ac_podcasts/10_AC_Podcast_Under_New_Mgmt.mp3 Tue, 08 Jun 2010 19:22:53 -0700 TV & Film, Visual Arts no 00:44:01 American Cinematographer, magazine, cinematography, director of photography, movies, films, filmmaking, cinematographer, directing, Peter, Biagi, Under New Management, Joe Otting, Robert Altman American Cinematographer Magazine Stephen Goldblatt, ASC, BSC, cinematographer of "Percy Jackson & the Olympians: The Lightning Thief," talks with Jim Hemphill about shooting this digital effects extravaganza on a limited budget, and the increasing presence of digital tools in production. Stephen Goldblatt, ASC, BSC, cinematographer of "Percy Jackson & the Olympians: The Lightning Thief," talks with Jim Hemphill about shooting this digital effects extravaganza on a limited budget, and the increasing presence of digital tools in production. http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=259748235 http://www.theasc.com/podcasts/ac_podcasts/09_AC_Podcast_Percy_Jackson.mp3 Mon, 26 Apr 2010 15:28:30 -0700 TV & Film, Visual Arts no 00:32:02 Percy Jackson, the Olympians, The Lightning Thief, Stephen, Goldblatt, Jim Hemphill, Chris Columbus, American Cinematographer, magazine, cinematography, director of photography, movies, films, filmmaking, cinematographer American Cinematographer Magazine Cinematographer Barry Markowitz, ASC talks with American Cinematographer's Iain Stasukevich about his work on the film, Crazy Heart, discussing working with actor/directors, shooting this low budget film on location and working with actor Jeff Bridges. Cinematographer Barry Markowitz, ASC talks with American Cinematographer's Iain Stasukevich about his work on the film, Crazy Heart, discussing working with actor/directors, shooting this low budget film on location and working with actor Jeff Bridges. http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=259748235 http://www.theasc.com/podcasts/ac_podcasts/08_AC_Podcast_Crazy_Heart.mp3 Mon, 15 Mar 2010 13:33:15 -0700 TV & Film, Visual Arts no 00:34:40 American Cinematographer, magazine, cinematography, director of photography, movies, films, filmmaking, cinematographer, Crazy Heart, Barry Markowitz, Jeff Bridges, Scott Cooper American Cinematographer Magazine Cinematographer Peter Zeitlinger and filmmaker Werner Herzog talk with American Cinematographer's Iain Stasukevich about Herzog's unique shooting style, and how his freestyle approach fosters great performances and requires much flexibility from the crew. Cinematographer Peter Zeitlinger and filmmaker Werner Herzog talk with American Cinematographer's Iain Stasukevich about Herzog's unique shooting style, and how his freestyle approach fosters great performances and requires much flexibility from the crew. http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=259748235 http://www.theasc.com/podcasts/ac_podcasts/07_AC_Podcast_Bad_Lieutenant.m4v Tue, 02 Feb 2010 09:37:44 -0800 TV & Film, Visual Arts no 00:26:01 American Cinematographer, magazine, cinematography, director of photography, movies, films, filmmaking, cinematographer, Bad Lieutenant, Port of Call, New Orleans, Peter Zeitlinger, Werner Herzog, Nicholas Cage, Erik Söllner, Iain Stasukevich American Cinematographer Magazine Rodney Taylor, ASC, cinematographer of That Evening Sun, talks with AC’s Jim Hemphill about shooting a low-budget anamorphic feature on location and finishing using old school photochemical techniques. Rodney Taylor, ASC, cinematographer of That Evening Sun, talks with AC’s Jim Hemphill about shooting a low-budget anamorphic feature on location and finishing using old school photochemical techniques. http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=259748235 http://www.theasc.com/podcasts/ac_podcasts/06_AC_Podcast_Evening-Sun.m4v Tue, 12 Jan 2010 09:06:42 -0800 TV & Film no 00:43:49 American Cinematographer, magazine, cinematography, director of photography, movies, films, filmmaking, cinematographer, Hal Holbrook, Rodney Taylor, Raymond McKinnon, Scott Teems, Jim Hemphill American Cinematographer Magazine Cinematographer Mihai Malaimare Jr. speaks with American Cinematographer's Jim Hemphill about his work on Francis Ford Coppola's film Tetro, delving into the specifics of the film's unique visual style as well as shooting High Definition Video. Cinematographer Mihai Malaimare Jr. speaks with American Cinematographer's Jim Hemphill about his work on Francis Ford Coppola's film Tetro, delving into the specifics of the film's unique visual style, shooting on location in Argentina, and his experiences shooting High Definition Video. http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=259748235 http://www.theasc.com/podcasts/ac_podcasts/05_AC_Podcast_Tetro.m4a Mon, 21 Sep 2009 10:27:00 -0700 TV & Film no 00:47:10 Tetro, Mihai, Malaimare, Coppola, jim Hemphill, American Cinematographer, magazine, cinematography, director of photography, movies, films, filmmaking, cinematographer American Cinematographer Magazine Newton Thomas Sigel, ASC, cinematographer of Valkyrie, speaks with American Cinematographer's Jon Silberg about the film stocks, lenses and digital intermediate processes used on the film as well as the impact of Tom Cruise joining the project. Newton Thomas Sigel, ASC, cinematographer of Valkyrie, speaks with American Cinematographer's Jon Silberg about the film stocks, lens and digital intermediate processes that created the look of the film as well as the impact of Tom Cruise signing on to what had originally been a small and low-budget project. http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=259748235 http://www.theasc.com/podcasts/ac_podcasts/04_AC_Podcast_Valkyrie.mp3 Thu, 26 Feb 2009 13:55:21 -0800 TV & Film no 00:27:22 American Cinematographer, magazine, cinematography, director of photography, movies, films, filmmaking, cinematographer,Newton Thomas, Sigel, Brad Singer, Tom Cruise, Valkyrie,Jon Silberg American Cinematographer Magazine Cinematographer Matthew Leonetti, ASC and visual effects supervisor Richard Edlund, ASC sit down with American Cinematographer's Iain Stasukevich to discuss some of the classic techniques on display in the 1982 film Poltergeist. Cinematographer Matthew Leonetti, ASC and visual effects supervisor Richard Edlund, ASC sits down with American Cinematographer's Iain Stasukevich to discuss some of the classic techniques on display in the 1982 film Poltergeist. http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=259748235 http://www.theasc.com/podcasts/ac_podcasts/03_AC_Podcast_Poltergeist.mp3 Wed, 31 Dec 2008 12:31:16 -0800 TV & Film no 00:31:42 American Cinematographer, cinematography, cinematographer, Poltergeist, Matthew Leonetti, Richard Edlund, Steven Spielberg American Cinematographer Magazine Guillermo Navarro, ASC, cinematographer of Hellboy II: The Golden Army, discusses shooting tooth fairies and elementals, creating otherworldly environments and working alongside Guillermo del Toro with American Cinematographer's Iain Stasukevich. Guillermo Navarro, ASC, cinematographer of Hellboy II: The Golden Army, discusses shooting tooth fairies and elementals, creating otherworldly environments and working alongside Guillermo del Toro with American Cinematographer's Iain Stasukevich. http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=259748235 http://www.theasc.com/podcasts/ac_podcasts/02_AC_Podcast_Hellboy_II.m4v Thu, 31 Jul 2008 17:58:21 -0700 TV & Film no 00:37:01 American Cinematographer, cinematography, cinematographer, Wally Pfister, Hellboy, Guillermo del Toro, Hellboy II: The Golden Army American Cinematographer magazine Part 2 of a wide-ranging interview with Stephen Pizzello, Alik Sakharov, ASC, the main director of photography on HBO’s The Sopranos, reveals secrets about the show’s controversial ending and offers an in-depth overview of his work on the series. Alik Sakharov, ASC, the main director of photography on HBO’s The Sopranos, has revealed that the show’s controversial ending was partly inspired by the mindbending climax of Stanley Kubrick’s metaphysical space opera 2001: A Space Odyssey — an homage he planned carefully with the show’s creator, David Chase. “We talked about 2001 quite a bit,” Sakharov says in an exclusive, hour-long podcast that can be heard by clicking on the accompanying link. In a wide-ranging interview with Stephen Pizzello, executive editor of American Cinematographer magazine, Sakharov reveals other secrets about the show’s final scene and offers an in-depth overview of his work on the series. http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=259748235 http://www.theasc.com/podcasts/ac_podcasts/ac_sopranos_2.m4a Tue, 10 Jul 2007 10:16:19 -0700 TV & Film no 00:24:42 cinematography, ASC, HBO, The Sopranos, American Cinematographer, magazine, Alik Sakharov, Stephen Pizzello American Cinematographer Magazine Part 1 of a wide-ranging interview with Stephen Pizzello, Alik Sakharov, ASC, the main director of photography on HBO’s The Sopranos, reveals secrets about the show’s controversial ending and offers an in-depth overview of his work on the series. Alik Sakharov, ASC, the main director of photography on HBO’s The Sopranos, has revealed that the show’s controversial ending was partly inspired by the mindbending climax of Stanley Kubrick’s metaphysical space opera 2001: A Space Odyssey — an homage he planned carefully with the show’s creator, David Chase. “We talked about 2001 quite a bit,” Sakharov says in an exclusive, hour-long podcast that can be heard by clicking on the accompanying link. In a wide-ranging interview with Stephen Pizzello, executive editor of American Cinematographer magazine, Sakharov reveals other secrets about the show’s final scene and offers an in-depth overview of his work on the series. http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=259748235 http://www.theasc.com/podcasts/ac_podcasts/ac_sopranos_1.m4a Fri, 06 Jul 2007 17:49:17 -0700 TV & Film no 00:27:00 cinematography, ASC, HBO, The Sopranos, American Cinematographer, magazine, Alik Sakharov, Stephen Pizzello