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		<title>American Cinematographer Podcasts</title>
		<itunes:author>American Cinematographer Magazine</itunes:author>
		<link>http://www.theasc.com</link>
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		<description>American Cinematographer magazine interviews cinematographers, directors and other key collaborators involved in creative process of bringing film and television projects to the screen.</description>
		<itunes:subtitle>American Cinematographer magazine interviews cinematographers, directors and other key collaborators involved in creative process of bringing film and television projects to the screen.</itunes:subtitle>
		<itunes:summary>American Cinematographer magazine interviews cinematographers, directors and other key collaborators involved in creative process of bringing film and television projects to the screen.</itunes:summary>
		<language>en</language>
		<copyright>American Cinematographer</copyright>
		<itunes:owner>
			<itunes:name>American Cinematographer</itunes:name>
			<itunes:email>jon@e-a-media.com</itunes:email>
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			<title>American Cinematographer Podcasts</title>
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		<category>TV &amp; Film</category>
		<itunes:category text="TV &amp; Film" />
		<itunes:keywords>American Cinematographer, magazine</itunes:keywords>
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			<title>The Sopranos Alik Sakharov, ASC Pt. 2</title>
			<itunes:author>American Cinematographer magazine</itunes:author>
			<description>Alik Sakharov, ASC, the main director of photography on HBO’s The Sopranos, has revealed that the show’s controversial ending was partly inspired by the mindbending climax of Stanley Kubrick’s metaphysical space opera 2001: A Space Odyssey — an homage he planned carefully with the show’s creator, David Chase. “We talked about 2001 quite a bit,” Sakharov says in an exclusive, hour-long podcast that can be heard by clicking on the accompanying link. In a wide-ranging interview with Stephen Pizzello, executive editor of American Cinematographer magazine, Sakharov reveals other secrets about the show’s final scene and offers an in-depth overview of his work on the series.</description>
			<itunes:subtitle>Part 2 of a wide-ranging interview with Stephen Pizzello, Alik Sakharov, ASC, the main director of photography on HBO’s The Sopranos, reveals secrets about the show’s controversial ending and offers an in-depth overview of his work on the series.</itunes:subtitle>
			<itunes:summary>Alik Sakharov, ASC, the main director of photography on HBO’s The Sopranos, has revealed that the show’s controversial ending was partly inspired by the mindbending climax of Stanley Kubrick’s metaphysical space opera 2001: A Space Odyssey — an homage he planned carefully with the show’s creator, David Chase. “We talked about 2001 quite a bit,” Sakharov says in an exclusive, hour-long podcast that can be heard by clicking on the accompanying link. In a wide-ranging interview with Stephen Pizzello, executive editor of American Cinematographer magazine, Sakharov reveals other secrets about the show’s final scene and offers an in-depth overview of his work on the series.</itunes:summary>
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			<pubDate>Tue, 10 Jul 2007 10:16:19 -0700</pubDate>
			<category>TV &amp; Film</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:24:42</itunes:duration>
			<itunes:keywords>cinematography, ASC, HBO, The Sopranos, American Cinematographer, magazine, Alik Sakharov, Stephen Pizzello</itunes:keywords>
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			<title>The Sopranos Alik Sakharov, ASC Pt. 1 </title>
			<itunes:author>American Cinematographer Magazine</itunes:author>
			<description>Alik Sakharov, ASC, the main director of photography on HBO’s The Sopranos, has revealed that the show’s controversial ending was partly inspired by the mindbending climax of Stanley Kubrick’s metaphysical space opera 2001: A Space Odyssey — an homage he planned carefully with the show’s creator, David Chase. “We talked about 2001 quite a bit,” Sakharov says in an exclusive, hour-long podcast that can be heard by clicking on the accompanying link. In a wide-ranging interview with Stephen Pizzello, executive editor of American Cinematographer magazine, Sakharov reveals other secrets about the show’s final scene and offers an in-depth overview of his work on the series.</description>
			<itunes:subtitle>In a wide-ranging interview with Stephen Pizzello, Alik Sakharov, ASC, the main director of photography on HBO’s The Sopranos, reveals secrets about the show’s controversial ending and offers an in-depth overview of his work on the series.</itunes:subtitle>
			<itunes:summary>Alik Sakharov, ASC, the main director of photography on HBO’s The Sopranos, has revealed that the show’s controversial ending was partly inspired by the mindbending climax of Stanley Kubrick’s metaphysical space opera 2001: A Space Odyssey — an homage he planned carefully with the show’s creator, David Chase. “We talked about 2001 quite a bit,” Sakharov says in an exclusive, hour-long podcast that can be heard by clicking on the accompanying link. In a wide-ranging interview with Stephen Pizzello, executive editor of American Cinematographer magazine, Sakharov reveals other secrets about the show’s final scene and offers an in-depth overview of his work on the series.</itunes:summary>
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			<pubDate>Fri, 06 Jul 2007 17:49:17 -0700</pubDate>
			<category>TV &amp; Film</category>
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			<itunes:duration>00:27:00</itunes:duration>
			<itunes:keywords>cinematography, ASC, HBO, The Sopranos, American Cinematographer, magazine, Alik Sakharov, Stephen Pizzello</itunes:keywords>
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