Mon, 15 Feb 2010 18:49:17 -0800 American Society of Cinematographers http://www.theasc.com Podcast Maker v1.4.0 - http://www.lemonzdream.com/podcastmaker ASC members speaking with fellow ASC members. Join cinematographers speaking with fellow cinematographers in frank discussions about their work on film and television productions. Sit in on these intimate conversations and learn practical and philosophical secrets about cinematography and filmmaking. en American Society of Cinematographers ASC Podcasts martha@ascmag.com http://www.theasc.com/podcasts/asc_podcasts/ASC-Conversations_600_144.jpg http://www.theasc.com 144 144 TV & Film Visual Arts ASC, American Society of Cinematographers, Interviews, Filmmaking, Cinematography, Directing,Director of Photography, Cinematographer, Lighting, Features, Movies no American Society of Cinematographers Lance Acord, ASC, cinematographer of Where the Wild Things Are, continues his conversation with Rodney Taylor, ASC, focusing on his music video and feature career as well as the art scene in Los Angeles and San Francisco in the 80s. Lance Acord, ASC, cinematographer of Where the Wild Things Are, continues his conversation with fellow ASC member Rodney Taylor, focusing on his career and the art scene in Los Angeles and San Francisco in the 80s. http://www.ascmag.com/magazine_dynamic/podcasts.php http://www.theasc.com/podcasts/asc_podcasts/05_ASC_Podcast_Wild-Things2.mp3 Tue, 02 Feb 2010 09:29:59 -0800 TV & Film, Visual Arts no 00:50:04 ASC, American Society of Cinematographers, Interviews, Filmmaking, Cinematography, Directing,Director of Photography, Cinematographer, Lighting, Features, Movies, Lance Acord, Spike Jonze, Where the Wild Things Are, Maurice Sendak, Rodney Taylor American Society of Cinematographers Lance Acord, ASC, cinematographer of Spike Jonze’ Where the Wild Things Are, discusses the creative underpinnings of this film and the techniques he used to tackle its artistic challenges with fellow ASC member Rodney Taylor. Lance Acord, ASC, cinematographer of Spike Jonze’ adaptation of Maurice Sendak’s Where the Wild Things Are, discusses the creative underpinnings of this film and the techniques he used to tackle its artistic challenges with fellow ASC member Rodney Taylor. http://www.ascmag.com/magazine_dynamic/podcasts.php http://www.theasc.com/podcasts/asc_podcasts/04_ASC_Podcast_Wild-Things.m4a Thu, 17 Dec 2009 10:11:44 -0800 TV & Film, Visual Arts no 00:39:57 ASC, American Society of Cinematographers, Interviews, Filmmaking, Cinematography, Directing,Director of Photography, Cinematographer, Lighting, Features, Movies, Lance Acord, Spike Jonze, Where the Wild Things Are, Maurice Sendak American Society of Cinematographers Owen Roizman, ASC chats about his lighting aesthetic, reveals his technique for flashing film stock and shares anecdotes from the set of the 1974 version of The Taking of Pelham One Two Three with fellow ASC member Rodney Taylor. Owen Roizman, ASC chats about his lighting aesthetic, reveals his technique for flashing film stock and shares anecdotes from the set of the 1974 version of The Taking of Pelham One Two Three with fellow ASC member Rodney Taylor. http://www.ascmag.com/magazine_dynamic/podcasts.php http://www.theasc.com/podcasts/asc_podcasts/03_ASC_Podcast_Pelham_123.m4a Tue, 14 Jul 2009 14:00:00 -0700 TV & Film, Visual Arts no 00:53:42 ASC, American Society of Cinematographers, Interviews, Filmmaking, Cinematography, Owen Roizman, Rodney Taylor, The Taking of Pelham 1 2 3 American Society of Cinematographers Wally Pfister, ASC discusses working on The Dark Knight, the use of IMAX and shooting single camera, as well as his long term working relationship with Christopher Nolan in this interview with fellow cinematographer Daryn Okada, ASC. Wally Pfister, ASC discusses working on The Dark Knight, the use of IMAX and shooting single camera, as well as his long term working relationship with Christopher Nolan in this interview with fellow cinematographer Daryn Okada, ASC. http://www.ascmag.com/magazine_dynamic/podcasts.php http://www.theasc.com/podcasts/asc_podcasts/02_ASC_Podcast_Dark_Knight.m4v Thu, 28 Aug 2008 15:00:32 -0700 TV & Film, Visual Arts no 01:07:42 ASC, American Society of Cinematographers, Interviews, Filmmaking, Cinematography, Nolan, Pfister, Okada, The Dark Knight, Batman, Podcast American Society of Cinematographers Willy Kurant, ASC, AFC is interviewed by Denis Lenoir, ASC, AFC about his work on Orson Welles' 1969 production created for French television, Une Historie Immortelle (The Immortal Story). Willy Kurant, ASC, AFC is interviewed by Denis Lenoir, ASC, AFC about his work on Orson Welles’ 1969 production created for French television, Une Historie Immortelle (The Immortal Story). Denis Lenoir, ASC, AFC won an ASC Outstanding Achievement Award for Uprising and a Bronze Frog from the Camerimage International Film Festival of Cinematography for Demonlover. His credits include Monsieur Hire, Carrington, The Secret Agent, Fin août, début septembre, Boomtown (TV pilot) and later this year The Clearing. He is also recognized for his artful still photography and author of a book about John Cassavetes. Willy Kurant, ASC, AFC began his career shooting television news film and documentaries. He was on the leading edge of the New Wave in France. His body of work includes some 60 narrative films, including Masculin Feminin, The Immortal Story, The Night of the Following Day, Je t’aime, moi non plus, Sous le soleil de Satan, Trans-Europ-Express, Le Depart, and such contemporary films as China Moon, A Business Affair, Delivering Milo, Pootie Tang and White Man’s Burden. Photos by Douglas Kirkland, courtesy of Kodak. The Immortal Story (Une Histoire Immortelle) Written by Welles, based on a story by Isak Dinesen. Photographed by Willy Kurant. With Orson Welles, Jeanne Moreau, Roger Coggio, Norman Ashley. Immortal Story was directed by Orson Welles, who also stars as a fabulously wealthy, but bitter and dictatorial, European merchant. Soured on life, Mr. Clay (Welles) decides to play games with the lives of others. He decides to make the “immortal” legend of a sailor seducing a rich man’s wife come true and even picks the sailor (Roger Coggio) himself. Through Mr. Clay’s machinations, the sailor beds a beautiful younger woman (Jeanne Moreau) whom Clay pays to pose as his own wife. There’s little more to the story than that, but Welles weaves his short tale with an economy and expertise which proves he hadn’t lost his touch by 1969. Based on a story by Isak Dinesen, The Immortal Story was originally made for French television; it was also the only Orson Welles-directed film to be released in color. — Hal Erickson, All Movie Guide http://www.ascmag.com/magazine_dynamic/podcasts.php http://www.theasc.com/podcasts/asc_podcasts/ASC_Conversations_01.m4a Thu, 01 May 2008 12:00:00 -0700 TV & Film, Visual Arts no 00:56:14 ASC, American Society of Cinematographers, Interviews, Filmmaking, Cinematography, Directing