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2008 / 01 - January Issue of American Cinematographer

2008 / 01 - January Issue of American Cinematographer

There Will Be Blood

Robert Elswit, ASC reteamed with director Paul Thomas Anderson (Boogie Nights, Magnolia, Punch-Drunk Love) on this audacious period drama about an obsessive oil prospector (Daniel Day-Lewis) whose misanthropic nature leads him into more...

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2008 / 02 - February Issue of American Cinematographer

2008 / 02 - February Issue of American Cinematographer

I Am Legend
Andrew Lesnie, ASC, ACS was behind the camera on this epic big-screen adaptation of Richard Matheson’s celebrated science-fiction novel, which has previously been brought to the screen in 1964 (The Last Man on Earth) and 1971 (The Omega more...

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2008 / 03 - March Issue of American Cinematographer

2008 / 03 - March Issue of American Cinematographer

Mad Men
Phil Abraham (who shared cinematography duties with Alik Sakharov, ASC on The Sopranos) is responsible for the images in this stylish new series, which recently earned a Golden Globe nomination in the Best Television Series (Drama) category. Created more...

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2008 / 04 - April Issue of American Cinematographer

2008 / 04 - April Issue of American Cinematographer

21
Russell Carpenter, ASC (an Oscar winner for Titanic) placed his bets on Panavision’s digital Genesis camera while shooting this suspense-filled gambling drama, which is based on the true story of six MIT students who were trained to count cards and more...

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2008 / 06 - June Issue of American Cinematographer

2008 / 06 - June Issue of American Cinematographer

Indiana Jones and the Kingdom of the Crystal Skull
Janusz Kaminski discusses the creative strategies he and director Steven Spielberg brought to the summer’s most hotly anticipated blockbuster, in which Harrison Ford reprises his iconic role as swashbuckling more...

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2008 / 08 - August Issue of American Cinematographer

2008 / 08 - August Issue of American Cinematographer

X-Files: I Want to Believe
Bill Roe, ASC reteamed with director and X-Files series creator Chris Carter on the second feature thriller based on the wildly popular TV show. In this installment, former FBI agents Fox Mulder (David Duchovny) and Dana Scully more...

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2008 / 09 - September Issue of American Cinematographer

2008 / 09 - September Issue of American Cinematographer

The Duchess
Gyula Pados (whose credits as a cinematographer include the dramas Kontroll and Evening) was behind the camera on this period drama, which chronicles the life of 18th-century aristocrat Georgiana, Duchess of Devonshire (played by more...

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2008 / 10 - October Issue of American Cinematographer

2008 / 10 - October Issue of American Cinematographer

Body of Lies
Alexander Witt was promoted to director of photography on this show by director Ridley Scott after gaining years of experience as a second-unit director/director of photography on major features such as The Bourne Identity and Casino more...

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2008 / 11 - November Issue of American Cinematographer

2008 / 11 - November Issue of American Cinematographer

Quantum of Solace
Roberto Schaefer, ASC re-teamed with chameleonic director Marc Forster for the latest addition to the long-running James Bond franchise. The filmmakers traveled the globe shooting on location in Panama, Chile, Italy and Austria and onstage at more...

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2008 / 12 - December Issue of American Cinematographer

2008 / 12 - December Issue of American Cinematographer

Milk
Harris Savides, ASC and director Gus Van Sant continued their collaboration on this biopic about Harvey Milk, the first openly gay man elected to public office in the United States. After winning a post as a San Francisco city supervisor, Milk was more...

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2009 / 01 - January Issue of American Cinematographer

2009 / 01 - January Issue of American Cinematographer

Revolutionary Road  
Based on the novel by Richard Yates, Revolutionary Road depicts the crumbling marriage of an appealing young couple (played by Leonardo DiCaprio and Kate Winslet) who appear to have it all. The picture, set in 1955, reunited director Sam more...

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2009 / 02 - February Issue of American Cinematographer

2009 / 02 - February Issue of American Cinematographer

Coraline
Creative talents from all over the world have spent the last two years in Oregon working on Coraline, the first 3-D digital stop-motion-animated feature. Based on Neil Gaiman's creepy tale about a girl who discovers a dangerous, hidden world behind the more...

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2009 / 04 - April Issue of American Cinematographer

2009 / 04 - April Issue of American Cinematographer

Watchmen
After taking Frank Miller’s graphic novel 300 from the printed page to the silver screen, director Zack Snyder and cinematographer Larry Fong set their sights on the comic-book world’s holy grail, Watchmen, written by Alan Moore more...

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2009 / 05 - May Issue of American Cinematographer

2009 / 05 - May Issue of American Cinematographer

The May 2009 issue of American Cinematographer magazine salutes the ASC and Academy Award nominees for cinematography and offers a recap of the Academy Scientific and Technical Awards.

X-Men Origins: Wolverine

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2009 / 06 - June Issue of American Cinematographer

2009 / 06 - June Issue of American Cinematographer

Star Trek
(Paramount Pictures)
Following their collaboration on Mission: Impossible III, director J.J. Abrams and cinematographer Dan Mindel enlisted in Starfleet to boldly tell the long-awaited story of how Captain Kirk (Chris Pine), Mr. Spock (Zachary more...

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  1. 2003 / 10 - October Issue of American Cinematographer
  2. 2008 / 01 - January Issue of American Cinematographer
  3. 2009 / 06 - June Issue of American Cinematographer
  4. 2007 / 09 - September Issue of American Cinematographer
  5. 2001 / 07 - July Issue of American Cinematographer
  6. 2009 / 10 - October Issue of American Cinematographer
  7. 2007 / 12 - December Issue of American Cinematographer
  8. 2009 / 09 - September Issue of American Cinematographer
  9. 2009 / 11 - November Issue of American Cinematographer
  10. 2003 / 05 - May Issue of American Cinematographer
  11. 2000 / 10 - October Issue of American Cinematographer
  12. 2009 / 02 - February Issue of American Cinematographer

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