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2007 / 07 - July Issue of American Cinematographer

2007 / 07 - July Issue of American Cinematographer

Live Free or Die Hard
Simon Duggan, ACS reveals how he captured all the action for the fourth film in the ever-popular Die Hard franchise. AC’s Australian correspondent, Simon Gray, will debrief Duggan about staging a series of explosive and more...

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2007 / 09 - September Issue of American Cinematographer

2007 / 09 - September Issue of American Cinematographer

The Bourne Ultimatum

Oliver Wood gives a full account of his work with director Paul Greengrass (United 93) on the third film in the internationally popular Bourne franchise, in which the rogue spy of the title (played by Matt Damon) attempts to more...

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2007 / 12 - December Issue of American Cinematographer

2007 / 12 - December Issue of American Cinematographer

Atonement

Seamus McGarvey, BSC was behind the camera on this romantic drama based on the acclaimed novel by Ian McEwan. The story begins in the summer of 1935, when 13-year-old Briony Tallis (Saoirse Ronan) sets off a chain of events that will alter several lives more...

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2008 / 01 - January Issue of American Cinematographer

2008 / 01 - January Issue of American Cinematographer

There Will Be Blood

Robert Elswit, ASC reteamed with director Paul Thomas Anderson (Boogie Nights, Magnolia, Punch-Drunk Love) on this audacious period drama about an obsessive oil prospector (Daniel Day-Lewis) whose misanthropic nature leads him into more...

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2008 / 04 - April Issue of American Cinematographer

2008 / 04 - April Issue of American Cinematographer

21
Russell Carpenter, ASC (an Oscar winner for Titanic) placed his bets on Panavision’s digital Genesis camera while shooting this suspense-filled gambling drama, which is based on the true story of six MIT students who were trained to count cards and more...

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2008 / 11 - November Issue of American Cinematographer

2008 / 11 - November Issue of American Cinematographer

Quantum of Solace
Roberto Schaefer, ASC re-teamed with chameleonic director Marc Forster for the latest addition to the long-running James Bond franchise. The filmmakers traveled the globe shooting on location in Panama, Chile, Italy and Austria and onstage at more...

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2009 / 02 - February Issue of American Cinematographer

2009 / 02 - February Issue of American Cinematographer

Coraline
Creative talents from all over the world have spent the last two years in Oregon working on Coraline, the first 3-D digital stop-motion-animated feature. Based on Neil Gaiman's creepy tale about a girl who discovers a dangerous, hidden world behind the more...

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2009 / 04 - April Issue of American Cinematographer

2009 / 04 - April Issue of American Cinematographer

Watchmen
After taking Frank Miller’s graphic novel 300 from the printed page to the silver screen, director Zack Snyder and cinematographer Larry Fong set their sights on the comic-book world’s holy grail, Watchmen, written by Alan Moore more...

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2009 / 05 - May Issue of American Cinematographer

2009 / 05 - May Issue of American Cinematographer

The May 2009 issue of American Cinematographer magazine salutes the ASC and Academy Award nominees for cinematography and offers a recap of the Academy Scientific and Technical Awards.

X-Men Origins: Wolverine

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2009 / 06 - June Issue of American Cinematographer

2009 / 06 - June Issue of American Cinematographer

Star Trek
(Paramount Pictures)
Following their collaboration on Mission: Impossible III, director J.J. Abrams and cinematographer Dan Mindel enlisted in Starfleet to boldly tell the long-awaited story of how Captain Kirk (Chris Pine), Mr. Spock (Zachary more...

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2009 / 07 - July Issue of American Cinematographer

2009 / 07 - July Issue of American Cinematographer

The July 2009 issue of American Cinematographer magazine focuses on the second wave of summer blockbusters.

Public Enemies
(Universal)
Dante Spinotti, ASC, AIC helps director Michael Mann continue his work with HD video on this period crime drama, more...

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2009 / 08 - August Issue of American Cinematographer

2009 / 08 - August Issue of American Cinematographer

The August 2009 issue of American Cinematographer magazine takes a special focus on integrating CG effects.

Julie & Julia (Sony)
Stephen Goldblatt, ASC will discuss his cinematographic recipe for this stylish film, which tracks blogger Julie Powell’s more...

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2009 / 09 - September Issue of American Cinematographer

2009 / 09 - September Issue of American Cinematographer

The September 2009 issue of American Cinematographer magazine, has a special focus on international production.

Inglourious Basterds (The Weinstein Co.)
Robert Richardson, ASC reteamed with director Quentin Tarantino on this stylized World War II action-adventure more...

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2009 / 10 - October Issue of American Cinematographer

2009 / 10 - October Issue of American Cinematographer

The October 2009 issue of American Cinematographer magazine, has a special focus on lighting.

Bright Star
Written and directed by Jane Campion, Bright Star chronicles the love affair between Romantic poet John Keats (Ben Whishaw) and Fanny Brawne (Abbie more...

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2009 / 11 - November Issue of American Cinematographer

2009 / 11 - November Issue of American Cinematographer

The November 2009 issue of American Cinematographer magazine has a special focus on holiday releases and a salute to cinematographers nominated for Emmy Awards. (All articles are tentative and subject to change.)

Where the Wild Things Are more...

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  1. 2003 / 10 - October Issue of American Cinematographer
  2. 2010 / 10 - October Issue of American Cinematographer
  3. 2008 / 01 - January Issue of American Cinematographer
  4. 2007 / 09 - September Issue of American Cinematographer
  5. 2009 / 06 - June Issue of American Cinematographer
  6. 2001 / 07 - July Issue of American Cinematographer
  7. 2010 / 03 - March Issue of American Cinematographer
  8. 1999 / 03 - March Issue of American Cinematographer
  9. 2009 / 10 - October Issue of American Cinematographer
  10. 2007 / 12 - December Issue of American Cinematographer
  11. 2009 / 09 - September Issue of American Cinematographer
  12. 2009 / 11 - November Issue of American Cinematographer

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