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2006 / 07 - July Issue of American Cinematographer
Superman Returns Newton Thomas Sigel, ASC served as director of photography on the first major feature film shot with Panavision’s high-definition Genesis camera. Pathfinder Daniel Pearl, ASC was behind the camera for this epic adventure about a Viking boy more...
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2007 / 02 - February Issue of American Cinematographer
Perfume: The Story of a Murderer Highly regarded German cinematographer Frank Griebe (Run, Lola, Run) reteamed with director Tom Tykwer on this epic and visually stunning adapatation of the critically acclaimed 1985 “historical horror” novel by Patrick more...
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2007 / 05 - May Issue of American Cinematographer
Spider-Man 3 Bill Pope, ASC swings back into action with director Sam Raimi’s third installment of the hugely popular superhero franchise, which once again stars Tobey Maguire as Peter Parker and his crime-fighting alter ego, Spider-Man. This time around, a more...
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2007 / 06 - June Issue of American Cinematographer
Pirates of the Caribbean: At World’s End Dariusz Wolski, ASC will discuss his work with director Gore Verbinski on the latest installment of this blockbuster Pirates franchise, focusing on the show’s demanding logistics and the integration of more...
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2007 / 07 - July Issue of American Cinematographer
Live Free or Die Hard Simon Duggan, ACS reveals how he captured all the action for the fourth film in the ever-popular Die Hard franchise. AC’s Australian correspondent, Simon Gray, will debrief Duggan about staging a series of explosive and more...
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2007 / 08 - August Issue of American Cinematographer
This issue of American Cinematographer magazine, has a special focus on integrating CG effects into live-action footage. Sunshine Alwin Küchler, BSC reveals the technical tricks he used on this visually stunning sci-fi drama from director Danny Boyle more...
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2007 / 09 - September Issue of American Cinematographer
The Bourne Ultimatum
Oliver Wood gives a full account of his work with director Paul Greengrass (United 93) on the third film in the internationally popular Bourne franchise, in which the rogue spy of the title (played by Matt Damon) attempts to more...
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2007 / 12 - December Issue of American Cinematographer
Atonement
Seamus McGarvey, BSC was behind the camera on this romantic drama based on the acclaimed novel by Ian McEwan. The story begins in the summer of 1935, when 13-year-old Briony Tallis (Saoirse Ronan) sets off a chain of events that will alter several lives more...
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2008 / 01 - January Issue of American Cinematographer
There Will Be Blood
Robert Elswit, ASC reteamed with director Paul Thomas Anderson (Boogie Nights, Magnolia, Punch-Drunk Love) on this audacious period drama about an obsessive oil prospector (Daniel Day-Lewis) whose misanthropic nature leads him into more...
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2008 / 04 - April Issue of American Cinematographer
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Russell Carpenter, ASC (an Oscar winner for Titanic) placed his bets on Panavision’s digital Genesis camera while shooting this suspense-filled gambling drama, which is based on the true story of six MIT students who were trained to count cards and more...
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