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1999 / 03 - March Issue of American Cinematographer

1999 / 03 - March Issue of American Cinematographer

80th Anniversary Special
  • Renaissance Man, AC Celebrates The Cinematic Brilliance of Giuseppe Rotunno, ASC, AIC.
  • Shooting for Laughs, Mordant Humor Bring's Carlo's Wake to Life.
  • An Elegy for The Earth, Last Night Mourns The more...
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    2001 / 07 - July Issue of American Cinematographer

    2001 / 07 - July Issue of American Cinematographer

    A.I.
  • Boy Wonder, Spielberg Salutes Kubrick with A.I.
  • Space Oddities, Evolution Tells a Rollicking Cosmic Joke.
  • Love on The Rocks, a Husband and Wife Lock Horns In The more...
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    2002 / 10 - October Issue of American Cinematographer

    2002 / 10 - October Issue of American Cinematographer

    Frida
  • A Dynamic Portrait, an Artist Triumphs Over Adversity In Frida.
  • A Familiar Friend, Hannibal Lecter Returns In Red Dragon.
  • Desert Storm, Robert Richardson, ASC Details His Creative Journey more...
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    2003 / 11 - November Issue of American Cinematographer

    2003 / 11 - November Issue of American Cinematographer

    Angels in America
    • Heaven Sent, Stephen Golblatt, ASC helps HBO bring Angels in America to television.
    • Hell or High Water, Master and Commander, shot by Russell Boyd, more...
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    2005 / 01 - January Issue of American Cinematographer

    2005 / 01 - January Issue of American Cinematographer

    The Aviator
    • High Life, Robert Richardson, ASC evokes the turbulent adventures of Howard Hughes in The Aviator.
    • Behind the Mask, John Mathieson, BSC crafts romantic grandeur for The Phantom of more...
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    2006 / 07 - July Issue of American Cinematographer

    2006 / 07 - July Issue of American Cinematographer

    Superman Returns Newton Thomas Sigel, ASC served as director of photography on the first major feature film shot with Panavision’s high-definition Genesis camera.

    Pathfinder Daniel Pearl, ASC was behind the camera for this epic adventure about a Viking boy more...

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    2007 / 02 - February Issue of American Cinematographer

    2007 / 02 - February Issue of American Cinematographer

    Perfume: The Story of a Murderer
    Highly regarded German cinematographer Frank Griebe (Run, Lola, Run) reteamed with director Tom Tykwer on this epic and visually stunning adapatation of the critically acclaimed 1985 “historical horror” novel by Patrick more...

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    2007 / 05 - May Issue of American Cinematographer

    2007 / 05 - May Issue of American Cinematographer

    Spider-Man 3

    Bill Pope, ASC swings back into action with director Sam Raimi’s third installment of the hugely popular superhero franchise, which once again stars Tobey Maguire as Peter Parker and his crime-fighting alter ego, Spider-Man. This time around, a more...

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    2007 / 06 - June Issue of American Cinematographer

    2007 / 06 - June Issue of American Cinematographer

    Pirates of the Caribbean: At World’s End

    Dariusz Wolski, ASC will discuss his work with director Gore Verbinski on the latest installment of this blockbuster Pirates franchise, focusing on the show’s demanding logistics and the integration of more...

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    2007 / 07 - July Issue of American Cinematographer

    2007 / 07 - July Issue of American Cinematographer

    Live Free or Die Hard
    Simon Duggan, ACS reveals how he captured all the action for the fourth film in the ever-popular Die Hard franchise. AC’s Australian correspondent, Simon Gray, will debrief Duggan about staging a series of explosive and more...

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    2007 / 09 - September Issue of American Cinematographer

    2007 / 09 - September Issue of American Cinematographer

    The Bourne Ultimatum

    Oliver Wood gives a full account of his work with director Paul Greengrass (United 93) on the third film in the internationally popular Bourne franchise, in which the rogue spy of the title (played by Matt Damon) attempts to more...

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    2007 / 12 - December Issue of American Cinematographer

    2007 / 12 - December Issue of American Cinematographer

    Atonement

    Seamus McGarvey, BSC was behind the camera on this romantic drama based on the acclaimed novel by Ian McEwan. The story begins in the summer of 1935, when 13-year-old Briony Tallis (Saoirse Ronan) sets off a chain of events that will alter several lives more...

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    2008 / 01 - January Issue of American Cinematographer

    2008 / 01 - January Issue of American Cinematographer

    There Will Be Blood

    Robert Elswit, ASC reteamed with director Paul Thomas Anderson (Boogie Nights, Magnolia, Punch-Drunk Love) on this audacious period drama about an obsessive oil prospector (Daniel Day-Lewis) whose misanthropic nature leads him into more...

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    2008 / 04 - April Issue of American Cinematographer

    2008 / 04 - April Issue of American Cinematographer

    21
    Russell Carpenter, ASC (an Oscar winner for Titanic) placed his bets on Panavision’s digital Genesis camera while shooting this suspense-filled gambling drama, which is based on the true story of six MIT students who were trained to count cards and more...

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    2008 / 11 - November Issue of American Cinematographer

    2008 / 11 - November Issue of American Cinematographer

    Quantum of Solace
    Roberto Schaefer, ASC re-teamed with chameleonic director Marc Forster for the latest addition to the long-running James Bond franchise. The filmmakers traveled the globe shooting on location in Panama, Chile, Italy and Austria and onstage at more...

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    1. 2010 / 10 - October Issue of American Cinematographer
    2. 2008 / 01 - January Issue of American Cinematographer
    3. 2007 / 09 - September Issue of American Cinematographer
    4. 2009 / 06 - June Issue of American Cinematographer
    5. 2001 / 07 - July Issue of American Cinematographer
    6. 1999 / 03 - March Issue of American Cinematographer
    7. 2010 / 03 - March Issue of American Cinematographer
    8. 2009 / 10 - October Issue of American Cinematographer
    9. 2007 / 12 - December Issue of American Cinematographer
    10. 2009 / 09 - September Issue of American Cinematographer
    11. 2009 / 11 - November Issue of American Cinematographer
    12. 2009 / 02 - February Issue of American Cinematographer

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